It’s not every day a director comes on stage in Buddhist monk’s garb and slippers, but such was Patrick Lung Kong’s refreshingly idiosyncratic appearance Saturday night at Queens’ Museum of the Moving Image, two days into a two weekend retro of his work. To his right was Tsui Hark, who himself reshaped the Hong Kong film industry multiple times: with 1986’s Peking Opera Blues, a breakthrough moment for international recognition of HK martial arts fare, 1992’s Once Upon a Time in China, and as producer on John Woo’s 1986 A Better Tomorrow, among many other instances. 1967’s The Story of […]