Montreal is a city lousy with festivals — even the harsh winter temperatures can’t seem to keep them away. Upon landing in town to attend Rencontres internationales du documentaire de Montréal (RIDM) this November, two music festivals had representatives waiting at the airport, eager to claim me as one of their own. The documentary film festival, founded in 1998 just a few years after the birth of that other, perhaps better-known Canadian nonfiction extravaganza Hot Docs, has carved out a niche for itself, developing an audience eager for documentaries in the vein of their Toronto counterparts. Screenings and panels were […]