Films are made over many days, but some days are more memorable, and important, than others. Imagine yourself in ten years looking back on this production. What day from your film’s development, production or post do you think you’ll view as the most significant and why? In many ways, a film is like a puzzle. It is a slow and gradual process that is often very challenging depending on the number of pieces you’re missing. But because of the story, and the way in which we filmed it—backwards—it was especially true of Sukkwan Island. Roy agrees to spend a formative […]
by Filmmaker Staff on Jan 25, 2025Thirteen-year-old Roy agrees to spend a year in northern Norway with his father to reconnect in the World Cinema Dramatic Competition film Sukkwan Island. The film stars Swann Arlaud (Anatomy of a Fall) and newcomer Woody Norman. Nicolas Chaudeurge edited the film after working with director Vladimir de Fontenay on his previous film, Mobile Homes. Below, he explains his efficient style and what it means when solutions start to happen by mistake. See all responses to our annual Sundance editor interviews here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes […]
by Filmmaker Staff on Jan 25, 2025Sukkwan Island marks Vladimir de Fontenay’s follow-up to Mobile Homes, his 2017 Directors Fortnight entry. The film, which stars Swann Arlaud (Anatomy of a Fall) and newcomer Woody Norman, tracks the conflict between Tom and his 13-year-old son Roy when they move to remote northern Norway. Amine Berrada (Hounds, Banel & Adama) served as director of photography on the Arctic shoot. Below, he gets into the nitty gritty discussing lighting, explaining how the film’s different timeframes necessitated unique approaches to lighting both to serve the story and to adjust to the drastic seasonal differences in northern Norway. See all responses […]
by Filmmaker Staff on Jan 25, 2025