Summer 2021
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A Colander in the River of the World: On Decolonizing Film Studies
American film studies and production programs are undergoing a major structural overhaul. A long-burgeoning movement comprised of academics and filmmakers are calling for the full decolonization of syllabi and cinematic offerings within these courses, which have historically foregrounded work by straight, white men as the pinnacle of what’s worth studying and emulating. Many academics and scholars hesitate to use the term “decolonize” broadly for fear of rendering it into a tepid buzzword (or worse, deflating the term to a borderline-meaningless liberal t-shirt slogan), yet it’s become an essential framework for many who wish to make meaningful changes within the confines […]
by Natalia Keogan on Jul 12, 2021 -
Beautiful Syllabus Design
Is there any document more compelling than a good syllabus? I have a collection of favorites in a folder on my desktop and often daydream about following a particular professor’s list of screenings, readings and writing prompts to create my own individual class, a kind of private self-improvement gambit or—even better—a venture into some fantastic cinematic territory still unknown to me. A good syllabus is a treasured resource; a great syllabus, though, with its hints and errant connections, exudes the magic of possibility and epiphany. As an example, I remember reading my colleague Priya Jaikumar’s syllabus for a graduate seminar […]
by Holly Willis on Jul 12, 2021 -
Digital Fragments: Using NFTs and the Blockchain to Aid in the Creation of New Media Work
Origin Story The pilot announces that we’ll soon be pushing back on the tarmac, and I start to spread out. Just then, bursts of laughter cut through the air, and the expectation of a spacious flight to Los Angeles rapidly disappears. It’s 2018, and I watch as a pair of 20-somethings, who look as if they’ve just stepped out of a panel at Comic-Con, come bounding down the aisle. Both are wearing cat ears attached to a plastic arch that rests on their heads. Settling into the two empty seats by my side, they are animated, their chatter is infectious. […]
by Lance Weiler on Jul 12, 2021 -
Getting Started with NFTs on Hic Et Nunc
Hic Et Nunc (HEN) launched in March. The site and interface have been growing rapidly and are still evolving. Here is how to get started on the platform. Setting up a wallet Your wallet will hold your cryptocurrency and enable you to buy and sell. It’s also how you connect, or log in, to HEN. We’ll focus on the Temple and Kukai wallets, which at different points have been recommended by HEN. These options store your data locally on your computer. When setting up a wallet, you’ll be presented with an automatically generated 8- to 12-word seed phrase. You’ll need […]
by Lance Weiler on Jul 12, 2021 -
Where Have the Low-Budget Movies Gone?
While streamer-backed productions promise a golden future for a lucky few, for most independent filmmakers these days, it’s more challenging to subsist by making the sort of professionally budgeted, less than $3 million films that used to be hallmarks of the sector. One significant reason, according to producers, is that it’s much more difficult to shoot a nonunion film. IATSE has become a more dominant force in the independent industry, which has consequently expanded budgets well above that number. “I don’t think you can do a union movie for less than $3 million,” says one producer. Although some nonunion shows […]
by Anthony Kaufman on Jul 12, 2021 -
A Musuem of One’s Own: Jessica Oreck on Her Office of Collecting and Design
Drawers of marbles and buttons, a wall of picture frames with nothing in them, empty matchboxes, broken dice and a tray of antique doll eyes, irises fixed in hopeful stares beneath the swoop of their curled eyelashes. These are just a few of the uncanny items you’ll find in the Office of Collecting and Design, a museum full of, in the words of its creator, filmmaker Jessica Oreck (Beetle Queen Conquers Tokyo, One Man Dies a Million Times), “lost and forgotten objects, things that people don’t think are valuable but have too much charm to throw away. These are things […]
by Scott Macaulay on Jul 12, 2021 -
Pregnant Pauses: Matías Piñeiro on Isabella
Matías Piñeiro’s sixth feature and seventh Shakespeare-related film, Isabella, begins with purely abstract images whose use here is new in his work: four different shades on the blue spectrum, alternately lighter and darker in smaller and smaller concentric rectangles. The smallest, central rectangle fades to purple before three different shades of that color pulsate outward to the largest rectangle. The rectangles then dissolve into one unified purple that fills the rectangular frame containing the film itself, which starts gently pulsating in different shades under silent opening titles. These abstract color studies (whose resemblance to the work of James Turrell was […]
by Vadim Rizov on Jul 12, 2021
