Sundance Film Festival 2021
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“Being Overwhelmed Doesn’t Have to Lead to Cynicism”: Rachel Lears on Her Climate Change Sundance Doc, To The End
Cynicism is the dramatic foil in To the End, Rachel Lears’s Sundance Documentary Competition follow-up to her 2020 Sundance picture Knock Down the House. In that film she followed four women — political newcomers hailing from diverse walks of life, all motivated to action by the Trump presidency — as they mounted underdog campaigns to win House seats. That one of the women was New York candidate Alexandria Ocasio-Cortez gave the film a rousingly satisfying ending, even as other women’s losses made clear the forces opposing progressive generational change. Employing a similar structure, To the End follows three young activists […]
by Scott Macaulay on Jan 23, 2022 -
Sundance Festival Director Tabitha Jackson Announces Details of 2022 Event; Vaccinations Required for In-Person Utah Events
Festival director Tabitha Jackson announced today details of the upcoming Sundance Film Festival, which will take place in Park City, Utah and across various Satellite Screen venues January 20 – 30, 2022. Most significantly, after 2021’s virtual edition, Sundance 2022 will be an in-person event. The festival will require attendees of events in Utah to be fully vaccinated, with further details about health precautions and mask-wearing to be issued in the coming months. The festival will also be larger than last year’s scaled-down edition but still smaller than the pre-pandemic 2020 festival. For further details, read the complete letter from […]
by Scott Macaulay on Aug 3, 2021 -
“Not Addressing the Core Exploitations of Capitalism is Essential to Capitalism’s Survival”: Theo Anthony on His Surveillance Doc, All Light, Everywhere
This interview with Theo Anthony about his documentary, All Light, Everywhere, was originally published alongside the film’s premiere at the 2021 Sundance Film Festival. It is being reposted today as the film premieres in theaters, including, in New York, at the IFC Center, where Anthony will do Q&As moderated by Brenda Coughlin and Sierra Pettengill. In All Light, Everywhere’s opening shot, filmmaker Theo Anthony turns the camera lens on his optic nerve, as text narration explains that we’re blind at the point where the optic nerve and retina connect—there’s a fundamental hole in our ability to view the world that, Anthony […]
by A.E. Hunt on Jun 4, 2021 -
“Decolonization Has to Work in Both Directions; Both the Colonized and Colonizer Have to be Decolonized”: Camilla Nielsson on President
Currently competing for both the Dox:Award and the Politiken Danish:Dox Award at this year’s hybrid CPH:DOX (April 21-May 5), Camilla Nielsson’s President is a riveting followup to 2014’s Democrats, which centered on two political rivals in a Sisyphean quest to transform Zimbabwe from a corrupt dictatorship into a fledgling democracy. It’s also a film Nielsson never intended to make. But that was before a ban, a military coup, and the rise of two new political rivals led the undaunted director to pick up her camera once again. With President Nielsson focuses on the young and charismatic leader of the MDC (Movement for Democratic Change) Nelson […]
by Lauren Wissot on Apr 21, 2021 -
Virtual and Actual Realities: The Narrative VR and New Media Works in the Sundance 2021 New Frontier Section
A Remote Festival The Sundance Film Festival, which ended February 3, succeeded remarkably well despite the pandemic, and nowhere was that more obvious than in the New Frontier lineup of virtual/augmented reality and other new media. In fact, as has been commented throughout 2020, in many ways virtual reality was made for this moment. With VR headsets reaching ever further into the consumer population it was feasible for this year’s New Frontier lineup, including several 2D browser-based works, to be shown remotely with essentially no loss in quality, especially when compared with feature films being screened on a laptop or […]
by Randy Astle on Feb 18, 2021 -
Render Time: Director Penny Lane Talks with A Glitch in the Matrix Director Rodney Ascher about His Reality-Questioning Documentary
In 1977, a characteristically fervid Philip K. Dick arrived to lecture at a science fiction convention and share his experiences from three years earlier, when he became convinced that the world was a simulation, one of many (“there may be 30 or 3,000 of them”) operating simultaneously, glimpses of which he’d seen. Clips from this speech (“If You Find This World Bad, You Should See Some of the Others”) and the Q&A that followed frame Rodney Ascher’s A Glitch in the Matrix. In the five-chapter (plus an epilogue) dive into the world of “simulation theory,” Ascher focuses on five subjects […]
by Penny Lane on Feb 10, 2021 -
The Filmic Equivalent of a Haiku: Erick Oh on his Sundance VR Film Namoo
One of the most understated pieces at Sundance’s New Frontier this year was Namoo, an animated short by Baobab Studios and director Erick Oh. Baobab has been pushing the boundaries of top-tier animated virtual reality since its founding in 2015, with its short immersive films growing in depth, length, and complexity and leading to a slew of awards and spun-off properties including feature films and series. Erick Oh is an award-winning director and animator from South Korea and based in California who’s worked at Pixar and with Tonko House and whose work has shown at Annecy, Anima Mundi, and other festivals. […]
by Randy Astle on Feb 6, 2021 -
For Buyers and Sellers, Fewer Films Meet High Demand at a Virtual Sundance 2021
The persistence of COVID-19 disrupted the 2021 Sundance Film Festival in many ways; no blizzard-clogged traffic-jams or overstuffed parties; no late-night negotiations in the Eccles lobby; no standing in lines next to fellow film travelers, giving or getting recommendations of what to see and what to miss. But even without the high altitude buzz of Park City, the pandemic did not stop Sundance’s record for deals! deals! deals! for the festival’s most commercial titles, with industry players saying the virtual event was even more competitive than previous years—“without a doubt,” said one distribution company chief. But what about those dozens […]
by Anthony Kaufman on Feb 5, 2021 -
“Is There Too Much Reading on Screen?” Carey Williams on R#J, Virtual Sundance and Pre-Vis
It may still feature two households both alike in dignity, but in Carey Williams’s modern adaptation of William Shakespeare’s Romeo and Juliet, R#J, the modes of communication look decidedly different. Set in California in the here and now, Williams’s film hones in on the title characters’ brief but intense romance via their messaging tool of choice: the smartphone. Back-and-forth texts and DMs, impromptu FaceTiming sessions, tagging each other in Instagram photos and sharing personally curated Spotify playlists add to the cumulative rise and potential fall of literature’s most infamously star-crossed lovers. Produced by Bazelevs Productions (founded by popular Russian filmmaker […]
by Erik Luers on Feb 5, 2021 -
“Looking At Diversity Through A Different Lens”: Debbie Lum on Try Harder!
Lowell High School, whose student population is predominantly Asian American, is different from most US high schools portrayed on film. Director Debbie Lum came to the nationally ranked school to portray Lowell’s students, particularly so called “tiger cubs” in the heat of the college admissions process for her Sundance 2021 doc Try Harder!. Of course, not all of the Asian American students shown in the film have stereotypical “tiger moms,” and it’s refreshing to see an array of Asian American parents and students shown in communities where they feel comfortable, rather than shrinking in the minority. But the pressure on […]
by A.E. Hunt on Feb 5, 2021
