Taxi Driver
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Judy Becker’s Top Ten Films (That Most Influenced Her Work as a Production Designer)
I came to production design as someone who has always loved movies. I also loved art, design, architecture and photography, so discovering that I could have a career that combined all my loves was one of the greatest moments of my life. I have a realism-based approach to filmmaking — most of the worlds I create are fictional, but within the context of the film my goal is to make them feel real, grounded, worn, authentic. If a director wants a stylized or surreal approach I would need to find a way to dirty it up and add imperfections to […]
by Judy Becker on Nov 21, 2022 -
Incoherent Cinema
In his 1986 book Hollywood from Vietnam to Reagan, film theorist Robin Wood explored, in a chapter entitled “The Incoherent Text: Narrative in the ’70s,” just how and why so many seminal films of that era were — ideologically — incoherent, unable to maintain a sustained and coherent vision of their protagonists as well as their fictive worlds. Wood did not mean incoherent in a pejorative sense; he wasn’t referring to movies that “failed” or that were poorly made. And he wasn’t talking about films that were deliberately chaotic or incoherent, but rather films that subconsciously reflected and distorted larger […]
by Nicholas Rombes on Apr 13, 2017 -
Watch: Martin Scorsese’s Romance with New York City
This new video essay by Leigh Singer from the BFI posits, not so controversially, that director Martin Scorsese and the location of New York City are one of cinema’s great screen couples: This video essay focuses exclusively on Scorsese’s features and argues that, in his hands, the physical place transforms into psychological space: an X-ray not just of a city’s psyche, but of a nation’s soul. It makes for often brutal viewing, rarely indulging the aspirational side of the American Dream (does the Statue of Liberty feature even once in a Scorsese film?); but few can deny its authenticity. And […]
by Scott Macaulay on Feb 3, 2017 -
Watch: The Eyes of Taxi Driver
Jacob T. Swinney’s latest video essay examines the many subjective POV shots of Taxi Driver. As Travis sees the world, we see it through him, and the result is a movie that locks us in his head more than most. A little more over here at Fandor.
by Filmmaker Staff on May 5, 2016 -
Michel Gondry’s Low-Budget Taxi Driver Remake
Swede: to remake a film with limited resources, cheap effects and obsolete technology, as per Michel Gondry’s Be Kind Rewind. The idiosyncratic Frenchman put his own concept to the test with his low-budget re-imagining of Taxi Driver. Upon watching the short, screenwriter Paul Schrader had this much to say: “I always maintained Taxi Driver should never [have a] sequel or [be] remade. Michel Gondry is making me rethink this position.” With Schrader recently dismissing talk of a Lars Von Trier Taxi Driver remake, now is the time to revisit Gondry’s version.
by Sarah Salovaara on Feb 19, 2014 -
“How Do You Get Anybody to See It?” Paul Schrader on Taxi Driver and 21st Century Filmmaking
Paul Schrader presented a screening of Taxi Driver in Toronto last weekend and spoke to the capacity audience of 450 at the Royal Cinema for an hour afterwards about his career and the changing state of filmmaking. As part of the Seventh Art Live Directors Series and presented by The Royal, he also showed a scene from his forthcoming The Canyons, starring Lindsay Lohan. Many in the audience watched Taxi Driver for the first time on the big screen, since many were not even born when the film shocked audiences in 1976. A major critical and box-office success, it launched […]
by Allan Tong on Apr 24, 2013 -
SCORSESE AND VON TRIER OR SCORSESE, DE NIRO & FELLINI?
We’ve kinda been down this road before. In early 2010, around the time of the Berlin Film Festival, reports rumors hit the blogsphere that Lars von Trier, Martin Scorsese and Robert De Niro were planning a remake of Taxi Driver in the vein of The Five Obstructions by making it five times, each with rules created by von Trier. Now out of Cannes, Scorsese and von Trier are bringing up the idea again. According to The Hollywood Reporter, the Scorsese project to be dissected has not been decided yet but shooting will begin after Scorsese is done with the Daniel […]
by Jason Guerrasio on May 13, 2011 -
MARTIN SCORSESE AND PAUL SCHRADER TALK “TAXI DRIVER” AT 35
Celebrating the 35th anniversary of Martin Scorsese‘s seminal film Taxi Driver, Sony Pictures and The Film Foundation, Scorsese’s film preservation non-profit, held a premiere screening of their 4k restoration of the film at the DGA in New York City last night, which also included a conversation with Scorsese and Taxi Driver screenwriter Paul Schrader moderated by critic Kent Jones. The restoration, which will be available on Blu-ray on April 5 and screening theatrically at AMC theaters beginning March 19 (NYC’s Film Forum will show a new 35mm print starting the 18th), took most of 2010 for Sony to accomplish. According […]
by Jason Guerrasio on Mar 11, 2011 -
VON TRIER/SCORSESE/DE NIRO MAY BE PONDERING “TAXI DRIVER” REMAKE
UPDATE 2/16: Screen reports that the remake rumors are just that. The biggest news so far to come out of the Berlin Film Festival is on a film that was made 36 years ago. Spreading all over the blogs, Lars von Trier and Martin Scorsese are supposedly mulling over the idea of remaking Taxi Driver with Robert De Niro to reprise the role of Travis Bickle. In Variety, Gunnar Rehlin reports: The idea behind the project is similar to the film The Five Obstructions that von Trier and Danish helmer Jorgen Leth made in 2003. In that film, von Trier […]
by Jason Guerrasio on Feb 15, 2010 -
Jody Hill, Observe And Report
ANNA FARIS AND SETH ROGEN IN DIRECTOR JODY HILL’S OBSERVE AND REPORT. COURTESY WARNER BROS. In terms of the sheer number of great filmmakers it has produced recently, the North Carolina School of the Arts is pretty much untouchable, and its latest alum in the spotlight is writer-director Jody Hill. Hill, a native of North Carolina, attended the university along with a prodigious group of classmates including directors David Gordon Green, Craig Zobel and Jeff Nichols, as well as writer-actors Danny McBride and Paul Schneider, D.P. Tim Orr and soundman-turned-writer Chris Gebert. After graduation, Hill briefly worked in television in […]
by Nick Dawson on Apr 10, 2009
