“A squirmy treatise on sexual insecurity and relationship oneupmanship” is how I described Ben Petrie’s fifth short film Her Friend Adam when profiling the Canadian writer-director-actor for Filmmaker‘s 2016 25 New Faces list. That film starred Petrie and real-life partner Grace Glowicki as a couple whose relationship is unexpectedly destabilized when he spies a suggestive text message on her phone. He admitted at the time that the short was inspired by a “private lash of jealousy” he experienced in a similar moment with Glowicki, and our profile concluded with him working on a screenplay for this forthcoming first feature. You […]
by Scott Macaulay on Jan 25, 2024Overwhelming anxiety, bad workplaces and ill-advised self-medication are all very on-trend for 2019—Kazik Radwanski’s Anne at 13,000 Ft is right for the moment. A Torontonian child care worker at a government-run facility, Anne (Deragh Campbell) is the protagonist of a handheld drama whose initial energy is very in a post-Dardennes vein, with nervy-but-not-illegibly-jumpy camerawork following her. One way to add production value to your lowish-budget production is suggested by the opening, where Anne skydives out a plane as part of a bachelorette party (!). The footage is clearly unfaked and my nightmare; smartly intercutting between the build-up and her job, a […]
by Vadim Rizov on Sep 9, 2019Striving to become a professional actress is a lifestyle choice accompanied by feelings of extreme competitiveness and inadequacy. Each waking hour is a moment you could be attempting to improve your craft or desperately trying to secure more work. As endless auditions make way to too few callbacks, you may begin to reconsider the professional hell you’ve chosen for yourself, being judged as much for your skills as for your facial features and body type. It’s enough to make anyone grow a little bitter. Diamond Tongues, a dark Canadian comedy that premiered at last year’s Slamdance Film Festival, finds its […]
by Erik Luers on Feb 19, 2016Ingrid Veninger’s latest film has to be the fastest movie ever made for TIFF. The Toronto filmmaker was on her way to unspool her 2010 feature, Modra, at film fests across Europe when she seized the opportunity to shoot an entirely new film. That meant 19 days of scripting, casting and rehearsals in Toronto in March this year, 13 days shooting in north England, Paris and Berlin, then wrapping with five weeks of post in T.O. to make the TIFF deadline. That also meant Veninger presenting Modra in one cinema and then becoming “Ruby White,” who was premiering a fictitious […]
by Allan Tong on Sep 18, 2011