The Bad Kids
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Keith Fulton and Lou Pepe on The Bad Kids, Achieving Documentary Shot/Reverse Shot with One Camera and Balancing Advocacy and Aesthetics
Placed deep in the secluded landscape of the Mojave Desert, Black Rock High School isn’t your typical institution for American teenagers. A continuation school designed specifically for trouble students for whom Black Rock is their last chance at academic redemption, the men and women frequenting these halls face a daily struggle of balancing their studies with often toxic home lives (and fearing that the destructive family cycle could repeat itself over the next generation). As society appears ready to deem them unworthy of fitting in, the title characters in the documentary The Bad Kids work increasingly hard to fight against their stereotypical image. As the […]
by Erik Luers on Dec 29, 2016 -
“The Powers of These Magical Young People”: Directors Keith Fulton and Lou Pepe | The Bad Kids
In every film, there is the story that you knew you were telling, the story the audience perceives. But there is always some other story, a secret story. It might be the result of your hidden motivations for making the film, or, instead, the result of themes that only became clear to you after you made the movie. It might be something very personal, or it might be a story you didn’t even know you were telling. What is your film’s secret story? What does a girl-servant of wizards who’s ashamed of her magical powers have to do with a […]
by Soheil Rezayazdi on Feb 1, 2016 -
DP and Co-Director Lou Pepe on Direct Cinema and the High School Doc The Bad Kids
Lou Pepe has worked with long-time collaborator Keith Fulton ever since the two directed a feature length documentary about the making of 12 Monkeys in 1996. Their latest film, The Bad Kids, is a documentary in the American direct cinema tradition of Frederick Wiseman. In this interview with Filmmaker, DP and co-director Pepe discusses the difficulties of shooting direct cinema with a single camera, working in natural light, and scheduling around teenagers. The film premiered in the U.S. Documentary section of the 2016 Sundance Film Festival. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the […]
by Soheil Rezayazdi on Jan 28, 2016
