Between fighting for real estate and fighting for an audience, it can be hard pulling off a successful film series in New York. Independent programmers can’t be blamed for relying on the lure of unconventional spaces to draw distracted filmgoers. While it’s fun to see a film on a rooftop or a pier, these spaces often serve as exciting backdrops for otherwise conventional content. Few film series actively exploit the connections between site and content to say something meaningful about the spaces around us. That’s what makes On Location different. This ambitious month-long series of “queer interventions” (the schedule can […]

One of the key figures in the New Queer Cinema and ever youthful at 51 years of age, Gregg Araki is a director who is increasingly hard to pigeonhole. After the critical success of 2004’s Mysterious Skin, the film which confirmed that Joseph Gordon-Levitt was a movie-star and that Mr. Araki could direct delicate drama as well as exploitation and cult cinema, it seemed that the director of such indie LGBT classics as The Living End (1992) and The Doom Generation (1995) was moving on to a new, more conventionally respectable, middle-aged portion of his career. Now Mr. Araki is […]

A number of cool things about our Fall, 1995 issue. First, the cover portrait of Tim Roth was an original by Nan Goldin, which was a pretty amazing coup for us at the time. Roth was one of the stars of Four Rooms, a now barely-remembered omnibus film all set in a hotel with segments helmed by Quentin Tarantino, Robert Rodriguez, Allison Anders and Alexandre Rockwell. Roth had shaved his head for a part when this photo was taken, so he was kind of unrecognizable, but we were still thrilled to have an original of Nan’s. L.M. Kit Carson did […]