Patrick Wang (a 25 New Face alum) takes a painstakingly nuanced, intimate approach to delicate subjects, specifically the ways in which we deal with — and don’t deal with — loss and the rippling effects in life after a death. His first feature, the breathtaking, Independent Spirit Award-nominated In the Family, and 2015’s Cannes and SXSW-screening The Grief of Others, which will finally be hitting theaters November 2nd, would make for a great marathon viewing alone. (Provided it came with a big box of Kleenex.) And now Wang has created a work that is simultaneously lighter in tone, and his […]
by Lauren Wissot on Oct 26, 2018Sundance SCOTT MACAULAY Check it out: the two top prize winners at Sundance this year, Alfonso Gomez-Rejon’s Me and Earl and the Dying Girl, and Crystal Moselle’s The Wolfpack, both feature as central elements teenagers who stage and film their own versions of classic movies. There’s even overlap between the two films, although Moselle’s Manhattan shut-ins incline more towards Tarantino and Freddy Krueger, while Gomez-Rejon’s teen Pittsburgh auteurs shirk the Romero roots of their hometown for deep dives into the Criterion Collection. For film lovers of a certain age, both Me and Earl and the Dying Girl and The Wolfpack […]
by Filmmaker Staff on Apr 28, 2015One of 2011’s best independent films, Patrick Wang’s debut In the Family almost didn’t get discovered. After being rejected by the top festivals, Wang premiered regionally, at the Hawaii Film Festival and San Diego Asian Film Festival, before four-walling New York City’s Quad Cinema, where sterling reviews from everyone from Filmmaker to The New York Times jumpstarted a 30-plus-city DIY theatrical tour. If In the Family was one of those “out of nowhere” films, Wang is determined that not be the case for his follow-up feature. For The Grief of Others, based on the novel by Leah Hager Cohen and […]
by Scott Macaulay on Apr 28, 2014