The double feature has been a moviewatching mainstay since at least the 1930s. Their appeal is obvious: What better way to cap off a film than to delay real life for a few hours more with another one? Few of us catch double bills at a theater anymore, but their allure remains strong at home. As sites like Mashable and Uproxx reported this year, Netflix users can access double-feature-friendly micro-genres with ease. These days, the work of curating a dual bill of “critically-acclaimed gritty independent crime dramas” is practically done for you. You can even start the next film without […]

Toronto International Film Festival By Scott Macaulay Following 2013’s The Flag, Petra Epperlein and Michael Tucker returned to the Toronto International Film Festival this year with an entirely different meditation on national identity, Karl Marx City. Here Epperlein, who emigrated to the States following the collapse of the Berlin Wall, travels back to her East German homeland, attempting to uncover the reason for her father’s suicide in 1999. Evidence he may have been a Stasi informant deepens the urgency of her journey, with a visit to Stasi archives revealing thousands of hours of footage, somewhere in which may be the clue […]