From Kogonada is this supercut of scenes from Stanley Kubrick’s films showing his fondness for symmetrically composed wide shots. Check it out, and follow the comments thread at the Vimeo link, where the conversation continues. (Hat tip: Text of Light.) Kubrick // One-Point Perspective from kogonada on Vimeo.
by Scott Macaulay on Aug 30, 2012(The Oregonian world premiered at the 2011 Sundance Film Festival. It is being distributed by Cinemad Presents and opens theatrically in NYC at the reRun Gastropub on Friday, June 8, 2012. Factory 25 is releasing the DVD (and currently taking pre-orders for the Limited Edition DVD). It is also currently available for streaming on Netflix and Hulu. If you are not able to see it in the theater, just make sure you play it loud at home!) Calvin Lee Reeder’s The Oregonian is a horrifying film, if not what is commonly perceived as a “horror” film. It is deeply and fundamentally […]
by Alex Ross Perry on Jun 7, 2012Does the culture make the artist, or does the artist make the culture? Two Sundance documentaries — Shut Up And Play the Hits, which follows James Murphy through the last concert of his band LCD Soundsystem in 2010, and Under African Skies, Joe Berlinger’s history of Paul Simon’s seminal Graceland – might seem to be unlikely bedfellows. Both films are brilliantly executed portraits of musicians walking the tightrope of cultural relevance and personal expression. The differences between the two stories illustrate fundamental changes in our popular culture over the last 30 years. Both films seek to explore “a moment in […]
by Alicia Van Couvering on Jan 27, 2012I’m leaving Sundance this year was the longest list of films I missed but really want to see then ever before. At the very top of is Room 237, Rodney Ascher’s treatise on the multiple meanings viewers have constructed from Stanley Kubrick’s The Shining. “Discover why many have been trapped in the Overlook Hotel for over 30 years,” is the film’s beguiling tagline. Here, via Lance Weiler’s Text of Light, is an excerpt about the music.
by Scott Macaulay on Jan 27, 2012Second #3243, 54:03 “It’s a strange world, Sandy.” *** “Frank is a . . . a very dangerous man.” *** “You saw a lot in one night.” *** “It is a strange world.” These lines from around the moment of this frame collapse into one meaning, one meaning obvious to Sandy: that Jeffrey has fallen in love with Dorothy. Outside the church, Sandy is about to deliver her “robins” monologue, a monologue that securely nails Blue Velvet to the wall of sincerity. The shot itself is full of menace and beauty: the night, the soft illumination of the car’s interior, […]
by Nicholas Rombes on Jan 20, 2012While theaters all across America have been raiding the vault to bring us horror favorites throughout the month of October, there’s just nothing like catching something gory, bloody, spooky or flat out disgusting on Halloween night, sweating in your topical costume and getting sugar-high on candy corn. Here are my All Hallow’s Eve picks from a few special theaters around the country, and if you don’t happen to reside in one of the cities below, there is always Netflix and Amazon streaming, several options on demand, and a typically killer lineup on Turner Classic Movies, including Lady Vengeance favorite Village […]
by Farihah Zaman on Oct 31, 2011