No matter the genre, you discover the imprimatur of the best classical Hollywood studio directors in all of their films—so posits the Auteur Theory. I accept the premise, with the proviso that it be applied, a bit differently, to the more distinctive non-Hollywood filmmakers, American or not. There’s a kernel of truth in the old saw that a director makes the same movie over and over. Robin Campillo is a French auteur, his work worthy of tracing a generic arc, even though he has directed only two films. In 2004, he made the profoundly disturbing low-budget horror flick They Came Back (Les […]