On January 26th 2021 my film, LIKE, a feminist noir thriller, debuted on Apple TV, Amazon Prime and others. It has been a long and winding road just to get to the end of the beginning. Part 1 of my article, published in July, details my voyage into the opaque world of film distribution and the ever-evolving influence of streaming, which had for years been diminishing independent film theatrical box office. But then, of course, live audiences were near-obliterated when COVID-19 lockdowns shuttered theaters. In other words, the theatrical exhibition experience was all but gone until who knows when. I […]
by Sarah Pirozek on Feb 4, 2021The sophomore effort from Tze Chun (Children of Invention), thriller Cold Comes the Night, uses invigorated noir conventions to evoke the betrayed modern social compact in a dreary, post-industrial strip of upstate New York. Chloe (Alice Eve), a poor widow and single mother, manages a fleabag motel, the type that charges prostitutes and johns by the hour. Social Services is on Chloe’s case for providing such a rotten environment for her eight-year-old daughter Sophia (Ursula Parker), giving her two weeks to straighten out their circumstances before they intervene. Then things get worse — a Slavic drug runner named Topo (Breaking Bad‘s Bryan […]
by Brandon Harris on Jan 11, 2014The trailer for Jon Lefkovitz’s micro-budget psychological thriller Engagement caught our eye here at Filmmaker. It’s a Hitchcock-inspired tale about an young groom-to-be and the woman who may or not be the sister of his out-of-town fiancée. The film is currently up on VOD through Film Buff, and below we ask Lefkovitz five questions about making smart genre entertainment for a price. Filmmaker: Where did the concept of the film come? What were your inspirations? Lefkovitz: The concept for Engagement is actually semi-autobiographical — in 2009, my then-fiancée (now wife) went away for six weeks, leaving me alone in our […]
by Scott Macaulay on Jul 24, 2012Trailers have the ability to psyche us up, freak us out, turn us off, and lead us very, very astray, but the heightened anticipation (they don’t call them teasers for nothing) is part of the fun, regardless of how accurate a representation of the film that cleverly constructed little bugger ends up being in the end. Here’s a little commentary on a selection of recent genre trailers; let’s both judge a book by its cover and appraise the cover itself. THE SNOWTOWN MURDERS (Justin Kurzel, in theaters March 2nd) I always feel wary of trailers that start off […]
by Farihah Zaman on Feb 17, 2012CLIVE OWEN AND NAOMI WATTS IN DIRECTOR TOM TYKWER’S THE INTERNATIONAL. COURTESY COLUMBIA PICTURES. German writer-director Tom Tykwer, arguably one of the most exciting auteurs in world cinema, has been immersed in movies since he was a child and always seemed destined to become a director. Born in the town of Wuppertal in 1965, by the age of 11 Tykwer had picked up a Super 8 camera and begun making films. At the age of 14, he got a job at Cinema, the local arthouse theater, where he would stay after hours, repeatedly watching Blade Runner. After completing his compulsory […]
by Nick Dawson on Feb 13, 2009