The annual Power to the Pixel conference wrapped in London last week. Participating was transmedia producer Julia Pontecorvo with her project, The Rodshire Archives. Below is her report on pitching at the event. I was very excited when I found out my transmedia project The Rodshire Archives was chosen by Power to the Pixel as one of the finalists in its second annual Pixel Pitch held in London this past week. What made this pitch competition distinct from others offering cash prizes is the one-on-one meetings they set up for all nine finalists. Liz Rosenthal and Tishna Molla, the forum’s […]
by Scott Macaulay on Oct 20, 2010IFP invited a number of us to blog our experiences at Independent Film Week, and we were supposed to contribute three posts. But with a whirlwind of meetings, events, and networking opportunities to try to take advantage of, I haven’t had much time to sleep, much less time to blog. So here’s my one post wrapping up our experiences pitching our transmedia project 3rd Rail (pictured) during Independent Film Week, which will have to do in lieu of three progress reports. For a great general description of the Project Forum and how it is configured, see Marc Maurino’s post. Marc […]
by Koo on Sep 23, 2010Too enthralled by the latest social media craze? Those are the questions posed by producer Mike Ryan (Junebug, Life During Wartime, 40 Shades of Blue) in his essay in the new issue of Filmmaker, which you can read online now. From his piece: Developing content and nurturing auteurs should be our top concern, not figuring out distribution models or revenue schemes. The whole purpose of independent film is to make films that aren’t prefabricated to hit a target audience of someone else’s devising. In fact, it’s that kind of market-centric thinking that puffed up the bubble with derivative films; it’s […]
by Scott Macaulay on Apr 19, 2010Okay, I guess it’s official now. As Deadline Hollywood is reporting, the Producer’s Guild of America has officially created a new category for the “transmedia producer.” From Nikki Finke’s piece: I’ve learned that a significant All-Boards meeting for the Producers Guild of America took place tonight. Sources tell me that the members voted on a series of amendments that qualify individuals as professional producers. More importantly, for the first time in the guild’s history, they voted on and ratified a new credit — that of the Transmedia Producer — which had been shepherded by such Hollywood names as Mark Gordon, […]
by Scott Macaulay on Apr 6, 2010