True/False Film Fest 2024: Creative Subjects
“Are you getting what you want, bitch?” Philly Abe, the focus of Elizabeth Nichols’s Flying Lessons, repeatedly offers similarly styled examples of “director-subject negotiations,” in which the latter grumbles before giving the former what they want, now with the added gift of self-reflexive dramatic tension. Director-subject relations are currently an especially fashionable topic (cf. the recent, clearly-titled film Subject); at this year’s True/False Film Fest, Flying Lessons provided its most interesting treatment. Abe is presented first as a representative of a vibrant and unprofessionalized ’80s downtown NYC arts scene but has an equally important relationship to the filmmaker, whose presence […]
by Vadim Rizov on Mar 20, 2024
