The best films of writer-director Paul Mazursky feel like small miracles, movies that are carefully crafted yet give the impression of life caught on the fly; they have the enthusiasm and audacity of Mazursky’s idol Fellini, but their subjects are almost entirely, gloriously American and their harsh truths are presented in a warm comic voice that is as accessible to mainstream audiences as it is sophisticated. His 1978 dramedy An Unmarried Woman is a case in point, a picture that was a box office smash (after being turned down by financiers all over Hollywood) yet still manages to deliver the […]