Viola Davis
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“… Once a Person’s Voice is Captured, They are Expendable”: Director George C. Wolfe on the Musical Histories of Ma Rainey’s Black Bottom
Black music. White privilege. Chicago. 1927. What could possibly go wrong? Indeed, nearly everything, and it’s chronicled with artful intensity in August Wilson’s Ma Rainey’s Black Bottom, the second in a cycle of ten plays that compassionately detail the 20th-century experiences of African Americans. Ma Rainey’s was brought to the screen this season in a stellar production directed by George Wolfe that stars Viola Davis in the title role and, in his final role, Chadwick Boseman as the upstart young trumpeter and rake in her band. Wolfe, a Tony Award-winning theater director and writer, is gradually building a formidable resume […]
by Martin Johnson on Feb 23, 2021 -
IFP Gotham Awards Announces Posthumous Chadwick Boseman Actor Tribute and Viola Davis Actress Tribute
The Independent Filmmaker Project (IFP, and Filmmaker‘s publisher) announced today that Chadwick Boseman will receive a posthumous Actor Tribute and Viola Davis an Actress Tribute at the upcoming 30th Anniversary Edition of the Gotham Awards. “Chadwick Boseman was an incredibly talented actor whose significance and impact onscreen and kindness offscreen will never be forgotten. We at IFP are forever indebted to him for all of his contributions to our organization, his legacy in providing mentorship and we are proud to honor him and all of his historical and groundbreaking contributions with this tribute,” said Jeffrey Sharp, Executive Director of IFP […]
by Filmmaker Staff on Dec 3, 2020 -
Editor Joe Walker on Cutting Steve McQueen’s Widows
“A stroke, and then a slap,” says editor Joe Walker. That’s how director Steve McQueen described the tone he wanted in the opening scenes of Widows. The movie opens with a remarkable sequence, intercutting glimpses of the main characters’ family lives with images from a horrifically bloody heist gone wrong — showing, in effect, how four of the women at the heart of the film become widows. So, for example, we see Viola Davis’s Veronica Rawlings passionately kissing her husband Harry (Liam Neeson) and then suddenly we’re in the back of Harry’s van as police fire on it. We see […]
by Bilge Ebiri on Dec 20, 2018
