As I’ve noted in the past, fulfilling the 5050×2020 Gender Parity Pledge is easy pickings for any nonfiction fest. Within the documentary realm female helmers have long consistently been behind half (and often more) of the highest quality work put out every year anyhow. And this year’s hybrid International Documentary Filmfestival Amsterdam — which like most non-Europeans I experienced exclusively online during varying states of pandemic lockdown over its ample (November 18-December 6) run — proved no exception to the rule. First there was the wealth of exhilarating new projects by acclaimed veterans to choose from. Czech master Helena Třeštíková […]