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Difret | Director Zeresenay Berhane Mehari

Difret Difret

Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? 

Bringing attention to the things people take for granted in the name of tradition has been a focus in my work. Since I grew up in the culture that I am examining in my film that means I too have had to figure out the things I take for granted. This was a challenge in general in making this film that was largely about understanding what the limits of attention were for me as an artist and also as a man. To tell this story in a way that shows these limits meant portraying the characters in the story from the inside of the culture without demonizing their motives.  So attention was important for my process.

Attention is partly about what you believe and I think my film, Difret, challenges what people believe about Ethiopian society. The film is based on a true story that happened some 18 years ago in a rural village in Ethiopia. It’s about a legal precedent setting court case that outlawed abduction for marriage, a practice referred to as “telefa.” Telefa is a customary practice that many people take for granted and believe to be a legitimate way to get a bride. But the film is also about what some Ethiopian men believe to be true.

For example, I had to get a number of permits to shoot. In one particular case, a local official actually challenged the veracity of the story I was making. He just could not believe a 14–year-old girl could kill a man and thought I was making it up. Thankfully, there was another official in the office listening in who actually remembered the real court case and vouched that the story was actually true.

The point is that sometimes people pay attention to what they believe. It’s harder to pay attention to the things that conflict with your belief system. This conflict is at the core of my film.

 

[PREMIERE SCREENING:  January 18 at 9:00pm – Egyptian Theatre, Park City ]

Sundance 2014 Responses

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