Jakub Piątek’s feature debut Prime Time is a thriller set in the deadly world of broadcast television. In 1999, a youth named Sebastian (Bartosz Bielenia) hijacks a TV studio, taking two hostages along the way. His reasons for doing this slowly unravel, including to himself. DP Michał Łuka tells us how they captured the youthful rebelliousness of the ’90s in shooting. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Łuka: I think every time it’s a whole spectrum of both […]

Siân Heder’s CODA is the tender story of Ruby (Emilia Jones), the sole hearing member of her deaf family. After joining her high school choir, she finds herself torn between pursuing her passion for singing and helping her family with their fishing business. Editor Géraud Brisson tells us why his team decided to leave some scenes in that may feel “awkward” for hearing audiences. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Brisson: I met Siân Heder, the director of […]

Rebecca Hall’s Passing is an adaptation of the Harlem Renaissance era novel by Nella Larsen of the same name. Starring Tessa Thompson and Ruth Negga as two mixed race women who “pass” for white in the 1920s, the film explores their acquaintanceship as one “pretends” to be white while the other lives life as a black woman. DP Edu Grau shares why they opted to film the Passing with a more vintage style. Filmmaker: How and why did you wind up being the cinematographer of your film? What were the factors and attributes that led to your being hired for this job? Grau: […]

Rita Moreno stands as one of the few entertainers to attain EGOT status. Mariem Pérez Riera intimate documentary on the West Side Story star the racism Moreno faced as a Puerto Rican immigrant with aplomb, featuring interviews other iconic entertainers such as Gloria Estefan, Whoopi Goldberg and Eva Longoria. Editor Kevin Klauber shares the importance of recontextualizing Moreno’s story through a feminist lens. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Klauber: I was contacted by Brent Miller after being recommended […]

Homeroom, the final entry in Peter Nicks’ Oakland trilogy, couldn’t have come at a more bizarre time. Amid the early days of the pandemic and movements to defund the police, Oakland High School’s class of 2020 prepares to graduate into an unforgiving world fighting for justice. Kristina Motwani, one of the film’s co-editors, shares how the film’s arc changed but their goals remained the same as the world around them changed more and more. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]

Ronny Trocker’s Human Factors follows a family whisked away to their seaside vacation home in an attempt to escape work. During their stay, burglars break into the house, which drives a wedge between parents Nina and Jan. Editor Julia Drack tells us how they achieved the film’s unique eschew of time, moving perspective to perspective between each family member. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired for this job? Drack: Human Factors is the second feature film by director Ronny Trocker. I […]