Sundance Responses
Featured
“Be as Sincere About the Complexity and the Ambiguity of Our Emotions as Possible” | Carlota Pereda, Piggy
Still from Piggy. (Photo: Jorge Fuembuena)
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you… Read more
“The ‘COVID Coordinator’ Became an Essential Team Member” | Kathleen Hughes & Abigail Disney, The American Dream and Other Fairy Tales
Still from The American Dream and Other Fairy Tales
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you… Read more
“I Had to Look Inward and Accept the Uncertainty” | John Patton Ford, Emily the Criminal
Still from Emily the Criminal
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you… Read more
“You’ve Got to Roll With the Punches” | Tania Anderson, The Mission
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you… Read more
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“This Film Had to Be Made by the Constant Act of Sharing” | Juan Pablo González, Dos Estaciones
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? Six months before we filmed Dos Estaciones, my daughter Ema was born. She was born at the peak of the pandemic when there was no testing or […]
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“The Front Lines of Filming During COVID” | Tig Notaro & Stephanie Allynne, Am I Ok?
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? It’s been a wild ride in terms of making our first feature film during times of massive change and upheaval. We were on the front lines […]
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“Just Being Able to Meet Your Subjects Is a Luxury” | Simon Lereng Wilmont, A House Made of Splinters
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? I miss the hustle and bustle of human interaction—both in the financing and the creative part of the filmmaking process. E-meetings are great in that it […]
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“The Pandemic Only Brought Us Together” | Krystin Ver Linden, Alice
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? COVID changed the landscape of filmmaking. It reminded me of the samurai motto: “expect nothing, prepare for everything.” The easiest part of making my first film […]
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“We Viewed Every Opportunity to Film in Person as a Fleeting Gift” | Paula Eiselt, Aftershock
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? This new way of living over the past two years forced me to reinvent both production and post production processes for Aftershock. The limits inherent in this […]
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“I Really Experienced the Idea That None of This Is Guaranteed” | Julian Higgins, God’s Country
The last two years have prompted much contemplation and reconsideration of the reasons why we make our films as well as the ways in which we make them. What aspect of your filmmaking—whether in your creative process, the way you finance your films, your production methodology or the way you relate to your audience—did you have to reinvent in order to make and complete the film you are bringing to the festival this year? Our film was somewhat unique in that we were halfway through our shoot when the pandemic hit. We had to shut down in the middle of […]
