GODARD’S “SOCIALISM” AND THE SHIPWRECKED COSTA CONCORDIA

Anyone who sat through Film Socialisme may have suspected that the Costa Concordia was heading for trouble. The cruise liner was the setting for the first “movement” of Jean-Luc Godard’s ambitious, infuriating 2010 picture, serving as a self-conscious metaphor for western capital ploughing through choppy waters. In Godard’s film, the Concordia plays the role of a decadent limbo where the tourists drift listlessly amid the ritzy interiors. The passengers include a UN official and an elderly war criminal. The onboard entertainment comes courtesy of an unsmiling Patti Smith.
(Hat tip: Dangerous Minds.)