Canyon Cinema 50, Art of the Real and Emile de Antonio in NYC, Week of 4/27
“You Really Had to Struggle to Get Your Music”: Olivier Assayas on Cold Water‘s Long Journey to American Screens
Back to One, Episode Two: Emily Mortimer talks Her Breakout Film, Being Right and Wrong for the Part, and Aaron Sorkin
Tribeca 2018: Michael Muller on Sharks, Fear, and Into the Now
Lumpy-Throated and Teary in Nyon: Visions du Réel 2018
Tribeca 2018: Composer Ariel Marx on Scoring To Dust
“We Don’t Have a Script, But We’re Working on It”: Michael Pressman on Doctor Detroit and Transitioning from Film to TV
“A Very Old Fashioned Kind of Filmmaking”: DP Charlotte Bruus Christensen on Shooting A Quiet Place on 35mm
23 Films (and Virtual Reality Works) We’re Looking Forward to at the Tribeca Film Festival
Back to selection
A Young Producer’s Sundance Photo Diary, Day Two
Here’s Day Two of my photo diary from the Sundance Film Festival! The quietness of Day One was gone as crowds took over Park City and Main Street, but there was something invigorating about the bustle and with the gorgeous sunny weather there were really no complaints.
Good morning, Park City!
iPhones to pass the time in line outside Eccles.
Joseph Gordon-Levitt speaks before the screening of his film Don Jon’s Addiction.
Snuck into the Sundance Industry Office and found Shasta! Keeping it classy.
Geeked out a little bit when I found postcards for Matt Porterfield’s I Used To Be Daker, which I worked on as a 2nd AD.
Burger station for lunch!
Eliza Hittman and her cast after the world premiere of It Felt Like Love, an absolutely fantastic film.
Above: Jack Carneal, Kim Taylor, and Ned Oldham, all actors in the NEXT film I Used to Be Darker, perform a live show at the film’s after party. Below: Director Matt Porterfield listens with his cast and crew.