Back to selection
Bright Ideas
Subscribers This is premium content. To read the rest, please log in. If you are not currently a member, please purchase a digital or print subscription to Filmmaker or join IFP.
Latest News
Dan Mirivish on the Bahamas pier at the Bahamas International Film Festival
A Guide to Caribbean Film Festivals
The Competition
“A Lot of Stories in France are Not Told”: Claire Simon on The Competition
John David Washington and Adam Driver in BlacKkKlansman
“Nothing is More Gorgeous than When Things Get Real in a Movie”: Editor Barry Alexander Brown on Three Decades Cutting for Spike Lee
-
“I Wanted Men to Engage with the Subject of Sexual Violence….”: Nancy Schwartzman on Roll Red Roll
Mar 22, 2019
-
“I Had To Tell a Story About Five Guys Working Behind Computer Screens”: Hans Pool on Bellingcat: Truth in a Post-Truth World
Mar 22, 2019
-
“I’d Spend 24 Hours with My Family, Fly Back, Sleep for Five Hours and Shoot the Next Day”: Cinematographer Chris Teague on Russian Doll
Mar 21, 2019
-
“I Have an Interest in Women Who Are on a Mission, Who Want to Create Impact”: Marie Skovgaard on Her CPH:DOX Opening Night Film, The Reformist
Mar 21, 2019
-
SXSW Notebook: E-Scooters, Three Studio Comedies, and the Political Party at the Paramount
Mar 20, 2019
-
“What I Discovered Was a Unique Bond Between Man and Dog…”: Heddy Honigmann on Buddy
Mar 20, 2019
-
Valuable Mistakes of a First Time Film Editor
Mar 19, 2019
-
“Giving Yourself Time to Sculpt”: Pawel Pawlikowski’s Qumra Masterclass
Mar 19, 2019
-
Back to One, Episode 50: Michael Mando
Mar 19, 2019