kogonada first caught our eye two years back with his exploration of symmetry in the works of Stanley Kubrick, followed by Wes Anderson a year later. But before both auteurs were associated with a centered, exacting aesthetic, Buster Keaton applied a looser construct of symmetry to his brand of physical comedy. The above video from Vince di Meglio looks at how the central framing of nearly 30 of Keaton’s films allows for head-to-toe humor in relation to both objects and space.