Authors — James Hansen
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Prismatic Ground Year Two: Documentary Waves
In the introduction to their co-edited collection Documentary Across Disciplines, Erika Balsom and Hila Peleg articulate contemporary documentary practice not as a category or genre, but “an attitude – a way of doing, engaging, and creating that accords primacy to the multiple and mutable realities of the world.” Emerging from the Berlin Documentary Forum, the collection embraces a vision of global documentary that spans “film, photography, contemporary art, anthropology, performance, architecture, cultural history, and theory.” If this sounds like a lot—it is, because it is. Still, rather than become amorphous in the ways terms like “glitch” or “expanded”-as-an-adjective have become, […]
by James Hansen on May 4, 2022 -
Tracking Changes: The 53rd Ann Arbor Film Festival
One of the unexpected pleasures of the 53rd Ann Arbor Film Festival (AAFF) was, at first, a cringe-inducing annoyance. It began with the first screening on Wednesday morning, a presentation of work by AAFF juror Jesse McLean. The lights dimmed in the Michigan Theater Screening Room, the smaller of two auditoriums used by AAFF in the spectacular Michigan Theater. Just as the audience nestled into their seats and darkness took hold of the room, something interrupted the transfixed environment: a wincing screech from the front of the room. The sound continued for several seconds before halting with a loud thud. Then, […]
by James Hansen on Apr 20, 2015 -
“Is This Line to See the Avant-Garde Show?”: NYFF 2014 Projections
There was an inauspicious start to the New York Film Festival’s inaugural Projections sidebar, a weekend showcase of experimental film and video, which, for 17 years prior as “Views from the Avant-Garde,” had been curated by Mark McElhatten and Gavin Smith. Nearly an hour before the first screening, a long line extended along the exterior glass wall of the Eleanor Bunin Film Center. Having successfully secured my tickets, I scuttled around looking for familiar faces in the crowd. As I began chatting with a friend, an elderly gentleman with a confused expression approached us. “Excuse me. Is this line to […]
by James Hansen on Nov 7, 2014 -
Between the Familiar and the Strange: TIFF Wavelengths 2014
Amidst the overwhelming landscape of the Toronto International Film Festival, the Wavelengths program provides a more tightly focused forum for experimental and avant-garde cinema. Until 2012, Wavelengths was primarily a sidebar of sorts for experimental short film programs. Eventually, it absorbed the former Visions program, and, now in its 14th iteration, Wavelengths presents short film programs alongside (or at least in relative conjunction with) domestic and international titles which challenge audiences in unique ways. I had read about Wavelengths for years and knew of its reputation as one of the primary places to see new experimental work. As a first […]
by James Hansen on Sep 16, 2014 -
Old and New: The 60th Oberhausen International Short Film Festival
Nestled in the industrial Ruhr region and dubbed “Germany’s Detroit” due to its distinction as the most debt-ridden city in the country, Oberhausen may not immediately sound like a great place to host an international film festival. Nevertheless, believe it or not, the 2014 Internationale Kurzfilmtage Oberhausen marked the festival’s 60th iteration. This year, Oberhausen featured 61 films from 35 countries in the International Competition, 21 films in the German competition, 12 video production in the North-Rhine-Westphalia (NRW) competition, a themed program curated by Mika Taanila (discussed at length later), four profiled filmmakers receiving one to three individual programs each, […]
by James Hansen on Jun 5, 2014
