Last spring, my last Riot Grrrl fantasy unceremoniously came and went. Third-wave feminist trailblazers Bikini Kill reunited to play a few shows in Los Angeles, New York and London—their first time playing together since I was three years old in 1997—and I couldn’t finagle my way into getting a single ticket. They sold out in literally one second, and the original $40-$50 ticket price was already a huge chunk of change for me, not considering that tickets were selling for quadruple times the face value on StubHub. Even after additional dates were added in order to combat the rush of […]
by Natalia Keogan on Aug 26, 2019“I’m telling you guys,” says 16-year-old Austyn Tester, sitting in a leather computer chair and speaking into his Macbook’s webcam. The otherwise bleak, wood-panelled room he sits in is completely taken over by soft lighting equipment; the camera pans from his perfectly coiffed hair down to his dirty socks and stained carpet. “If you’ve got a dream, you’ve got to chase it. Don’t let anyone’s opinions affect you.” In director Liza Mandelup’s feature doc debut, Jawline, Austyn speaks to himself as much as he does to the gaggle of teen girls that are watching him live-stream his motivational speech. He […]
by Natalia Keogan on Aug 23, 2019Filmed over one continuous 1977 day at Pride parades across San Francisco, Chicago, New York, San Diego and other metropolises, Arthur Bressan Jr.’s Gay USA is a tapestry of anecdotes, embraces, misconceptions and confused onlookers. It not only captures the optimism and palpable ecstasy of the LGBT attendees of Pride ‘77, but uses the homophobic agenda of Anita Bryant in Dade County, Floridato provide political context as to why these happy men, women and non-binary folks galavanting along Castro Street and Greenwich Village still had very much at stake. Many of Bressan’s films outlined the political reality of being gay […]
by Natalia Keogan on Jun 25, 2019