One of the most vexing and unanticipated problems facing independent filmmakers involves realizing that brief, seemingly incidental references — a song lyric, the quoting of a movie character, or referencing a line from a novel — are actually copyrighted materials requiring clearance. Yes, there is what’s known as Fair Use — a doctrine allowing selective quotation of copyrighted works. But Fair Use is most often used in documentary and less so in fiction works. But a recent court ruling involving a William Faulkner line quoted in Woody Allen’s Midnight in Paris offers hope to filmmakers. This problem of quote clearance […]
by Scott Macaulay on Jul 24, 2013Sacramento-born Brie Larson has been acting since the age of 6 and already has a lengthy list of credits including television (United States of Tara), studio films (21 Jump Street, Scott Pilgrim vs. the World) and independent dramas (Rampart, Greenberg). This summer she appears in three of the best-reviewed independent films of the 2013 festival circuit — James Ponsoldt’s The Spectacular Now, Joseph Gordon-Levitt’s Don Jon, and in the lead role that will break her to critics and a wider audience, Destin Daniel Cretton’s Short Term 12. Larson plays a tough yet compassionate supervisor at a facility for at-risk teens, […]
by Scott Macaulay on Jul 18, 2013We used to classify the filmmakers in each summer issue’s “25 New Faces” by listing their job category under their names, such as “director” or “cinematographer” or “actor.” But we don’t do that anymore, mostly because it’s too difficult. Take this year’s “25” — virtually everyone on the list is some kind of multi-hyphenate. There are two directors of photography on the list, and both are directing their own films — and one has even become a kind of distributor! And those two are by no means the only shooters here. Quite a few of the directors we picked this […]
by Scott Macaulay on Jul 18, 2013Stunning black-and-white photos of movie theaters — old-style palaces and tacky multiplexes alike — sit underneath the credits of The Canyons, the 18th feature from veteran director and screenwriter Paul Schrader. Except rather than evoke the majesty of the 20th century’s dominant art form, they depict its collapse. These theaters are guttered, wrecked, their seats torn out, signage empty, neon fixtures torn and dangling from the ceilings. Some of these theaters — vintage single-screen Art Deco houses — are surely no longer viable in the modern era. The demise of the pictured strip-mall multiplexes, however, is most likely the product […]
by Scott Macaulay on Jul 18, 2013You can now follow Filmmaker on App.net. What is App.net? Well, here’s Ben Friedland last August on the App.net blog: App.net is a subscription-based, advertising-free social network and API. It’s a platform that developers can rely on and that members can use to interact with each other. App.net connects members’ feeds across clients built by third-party developers. Developers are free to build on our API – we’ll even send you a monthly payment, if your app is well-received – which means that members have a variety of apps to choose from to access the network. Most of the larger press […]
by Scott Macaulay on Jul 17, 2013Less than three months since she premiered her documentary, Aatsinki: The Story of Arctic Cowboys, at the Tribeca Film Festival, Jessica Oreck is both on the road and back with new work. This Working Man is a web project combining video portraiture, travel, and crowdsourced curation. From the project’s website: This Working Man is a series of short portraits of men at work. It is about practiced motion, kinetic movement, bodies, and forms. It is about a particular type of man: exceedingly capable, strong, confident, and diligent. The project is a search for humble masculinity and an unapologetic admittance of […]
by Scott Macaulay on Jul 16, 2013Set in the years leading up to the Civil War, and based on Solomon Northup’s 1853 autobiographical memoir, Steven McQueen’s new 12 Years a Slave tells the story of a free New York State black man kidnapped and travelled down South, where he is sold into slavery. The film chronicles his attempts to stay alive and maintain his spirit as he dreams of the day when he can be reunited with his family. Chiwetel Ejiofor plays Northup, Michael Fassbender a harsh slave owner, and Brad Pitt a Canadian abolotionist. The film was shot on 35mm by Sean Bobbitt and opens […]
by Scott Macaulay on Jul 16, 2013Filmmaker Paul Stone has launched a great online interview series, “My First Shoot,” which features filmmakers talking about their first time on set as directors. What’s particularly interesting about it is the perspective the passing of time affords. These aren’t directors talking about the shoots they wrapped last week. No, in many cases these are experienced directors reflecting back, pulling from their memory banks, and constructing lessons that can only be gained by the perspective continued practice provides. An example is provided by the latest interviewee, Twilight Saga: Eclipse director David Slade. I interviewed Slade for Filmmaker during the Sundance […]
by Scott Macaulay on Jul 15, 2013Ectotherms is the feature debut of Miami-based filmmaker Monia Peña, and it mixes fiction, documentary, the Miami landscape and black metal. Peña was influenced, she writes, by Cuba’s “Imperfect Cinema and many derivations of realism,” by her collaborators as well as by the people she met along the way. The suitably mysterious trailer is above, and here’s the synopsis: ECTOTHERMS: organisms that rely on external heat sources When teenager Chelsey finds her grandmother dead, she knows life without the old Cuban woman who raised her will never be the same. So she skips school with her brother Cassidy and his […]
by Scott Macaulay on Jul 14, 2013A year ago next week Filmmaker audiences met for the first time writer/director Ryan Coogler, as we featured him in our 2012 “25 New Faces” list. Here’s my profile: Ryan Coogler remembers the first moment it occurred to him to become a film director. Having grown up in Oakland, Coogler was on a football scholarship to Saint Mary’s College in Moraga, Calif., where he had to take a creative writing class. The assignment was to write about a personal experience, and Coogler wrote about the time his father almost bled to death in his arms. He handed it in, and […]
by Scott Macaulay on Jul 12, 2013