Authors — Scott Macaulay
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QUARTERLY GIFTS TELL THEIR STORIES
In the current issue of Filmmaker, Lance Weiler writes about scarcity and abundance in the digital world — namely, the trend of digital artists creating physical media limited editions for their fans and followers. Weiler references several such projects in his piece, and, indeed, I’m discovering more every day. Here’s the latest: Quarterly, a subscription service that brings you a unique, curated gift from a trusted curatorial source every three months. “Each shipment tells a story,” the site promises. From the site: Quarterly is a new way to connect with the people you follow and find interesting. We spend so […]
by Scott Macaulay on Jul 24, 2012 -
TRAILER WATCH: “THE MASTER”
The Master is Paul Thomas Anderson’s follow-up to There Will be Blood, my favorite film of that year. After this trailer I’m even more psyched.
by Scott Macaulay on Jul 19, 2012 -
Justin Lin’s Family Network
“It’s not actually that different from early independent cinema,” Elaine Chin, President of Production of Justin Lin’s production company, Barnstorm Pictures, says of the new YouTube network, You Offend Me You Offend My Family, Lin has co-founded. “There’s no preconceived idea of what it should look like. YouTube is giving us free reign to go and try anything, and we don’t want to take that for granted. If anything, we want to surprise ourselves and be even more crazy.” Launched this June as part of YouTube’s move into original programming, YOMYOMF features short-form scripted and reality programs by new creators […]
by Scott Macaulay on Jul 19, 2012 -
Editor’s Letter
Each year when we do our “25 New Faces” feature, we try to keep the profiles to 350 words. “Let’s keep them short and punchy,” I say. “Run the pictures big and just give people the gist. Let them find out more on the web.” But we always run long. When we learn that a filmmaker whose short film we love also teaches nuclear physics, we have to include it. When the story of a doc a director made in high school is almost as interesting as his bootstrapped, Kenya-shot Somali pirate movie, we have to include that too. And […]
by Scott Macaulay on Jul 19, 2012 -
Parting Shot – Ryan O’Nan
Independent film has seen its small share of “band on the road” movies, but few evince the effortless charm and sweet sincerity of Ryan O’Nan’s Brooklyn Brothers Beat the Best. The film is O’Nan’s debut as writer/director, and he stars as well, playing Alex, a struggling musician who can’t catch a break. Dumped by his girlfriend, Alex lets his guard down enough to be coerced by his sole fan (Michael Weston) into forming a quickie, two-person guitar-and-Casio band and hitting the road. They are taken in by a hot young manager (Arielle Kebbel) and experience gigs good and bad, but […]
by Scott Macaulay on Jul 19, 2012 -
ALRICK BROWN MEETS THE “FINAL WITNESS” TOMORROW NIGHT
As we put the finishing touches on our “25 New Faces” list — which comes out this week — I’ll note the latest project of one of last year’s selections, director Alrick Brown. Last fall he had his Sundance hit Kinyarwanda arrive in theaters, and now he’s directed an episode of a new ABC series, Final Witness, that airs tomorrow night, July 18 at 10PM EST on ABC. The Wall Street Journal covered this show this past weekend, describing the style as “Sundance-era poetic indie film”: Over seven Wednesdays each stand-alone true crime story dramatized and documented on “Final Witness,” […]
by Scott Macaulay on Jul 17, 2012 -
Miranda July and Ira Glass Tell the Future of Storytelling
The Silent History is a fascinating new publishing project that merges app distribution with geolocational storytelling. Launched by former McSweeney’s publisher Eli Horowitz and colleagues, the project will launch next month, downloading stories to readers’ iOS devices and then coaxing them out into the streets of nearly 400 cities for more. Here is the trailer featuring the voices of Miranda July and Ira Glass. Horowitz is interviewed by Reyhan Harmanci at Buzzfeed, and he speaks of the project’s inspirations: “I got to thinking about new storytelling experiences — what can these things do, what can these things lead to,” he […]
by Scott Macaulay on Jul 16, 2012 -
THE BEAUTY OF “WELCOME TO PINE POINT”
Those looking for a great example of a documentary-film concept successfully realized online should check out Michael Simons and Paul Shoebridge’s Welcome to Pine Point, a powerfully melancholic about place, memory and the macro-economic forces that reshape both. The piece was developed in 2010, so I realize I’m quite late to the party on this one, but it’s quite extraordinary and worth your look. Music, Super-8 film clips, text on screen, and plenty of points of interaction allow you to explore the now-vanished Canadian town while feeling the creators’ ineffable nostalgia for it. From an interview with the creators on […]
by Scott Macaulay on Jul 15, 2012 -
The Utility of Disappearing Media
One of the problems of both the physical and non-physical media economies has to do with proof of participation. You can support an artist by buying their DVD or download, but those items can also just sit on your shelves or hard drives, unwatched. Sure, the artist gets some coin but not the word-of-mouth that comes from your spreading the gospel about their work. One publisher tackled this problem in the world of literature by creating The Book that Can’t Wait, an anthology for new authors that literally erases itself if it hasn’t been read in 60 days. Combating the […]
by Scott Macaulay on Jul 15, 2012 -
MUSIC VIDEO: “PERFECT VISION,” BY ICKY BLOSSOMS
Producer Tory Lenosky passed on this new music video directed by filmmaker Nik Fackler (Lovely Still) with his Icky Blossoms band members Derek Pressnall (Tilly and the Wall) and Sarah Bohling. Two gorgeous actors, lovely black-and-white photography, and one very trashed set. From Fackler and the band: “We were dealing with a 6 1/2 minute long song. We had to keep things interesting. So it made the most sense for us to direct a short film and approach the video as such. We wanted the quality of it to be that of any film you would see in theaters. Coming […]
by Scott Macaulay on Jul 14, 2012
