Authors — Scott Macaulay
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Sheldon Candis explores The Subculture of Real Life Superheroes
We’ve seen the RLSH phenomenon explored in dramatic films like Kick-Ass and Super, but now Filmmaker 25 New Face director Sheldon Candis looks at it in the form of a documentary short. Here, executive produced by Ashton Kutcher for Thrash Lab’s Subculture Club series and based on San Diego’s XTreme Justice League, is The Subculture of Real Life Superheroes. From the press release: “Superheroes are for both children and adults. With so many varying characters there is at least one superhero everyone can take a liking to. We heard about these guys that live their lives playing the role of […]
by Scott Macaulay on Dec 12, 2012 -
Can Independent Film Be an Addiction?
Addiction. It’s a bad thing, right? Except that a lot of businesses are based around it. I’m not just talking about the illegal business of selling narcotics, but about other things. Junk food is certainly an addiction, but so are things like video games. In our Fall, 2011 issue, Game Engine columnist Heather Chaplin wrote that understanding addiction — the system of challenges, rewards and dopamaine delivery — is key to any successful game designer. She quoted Dr. Bennett Fody, fellow and deputy director of The Institute of Science and Ethics at Oxford University, who said, “The design of video […]
by Scott Macaulay on Dec 12, 2012 -
Cinema Eye Announces Nominees for the 2013 Heterodox Award, Launches Voting for Audience Choice Prize
Nominees for the Heterodox Award, the Filmmaker-sponsored Cinema Eye award given to a narrative film that imaginatively incorporates non-fiction strategies and aesthetics, were announced today by Cinema Eye Honors. The five nominated films are: Paolo and Vittorio Taviani’s Caesar Must Die (Cesare deve morire), Craig Zobel’s Compliance, Jem Cohen’s Museum Hours, Pablo Larraín’s No, and Terence Nance’s An Oversimplification of Her Beauty. Said Scott Macaulay, Editor of Filmmaker Magazine, “In the third year of the Heterodox Award, our nominated filmmakers explore the interstices of documentary and fiction in fascinating and diverse ways, from situating their characters within the confines of […]
by Scott Macaulay on Dec 11, 2012 -
Jessica Oreck and Murmur Launch Interactive Documentary, The Aatsinki Season
When we last checked in with 25 New Face filmmaker Jessica Oreck, she was attending the POV Hackathon, a two-day event at which the documentary television series paired filmmakers with web developers. There Oreck met Mike Knowlton and Hal Siegel of the hybrid studio/technology company Murmur, and in just over three months the team has created The Aatsinki Season, an online counterpart to Oreck’s forthcoming feature documentary, Aatsinki: The Story Of Arctic Cowboys. Launching today, the work is both hypnotic and thoughtful, comprising text, film and flow charts, and allowing the viewer to initiate debate over the ecological issues facing […]
by Scott Macaulay on Dec 11, 2012 -
Coffee and Celluloid Looks at the Panasonic GH3
At his excellent filmmaking blog Coffee and Celluloid, Joey Daoud posted this short video review of the just-released Panasonic GH3. From the sounds of it, this seems like a great next version of the camera, with better controls, sturdier construction, Quicktime recording instead of just AVCHD, and a better bit rate. You can read Daoud’s quick thoughts on the camera here and watch the video above.
by Scott Macaulay on Dec 10, 2012 -
Cary Fukunaga Explores Relationships and Landscapes in Kenya
Filmmaker Cary Fukunaga recently traveled to Kenya to shoot what is described as “a trailer with no feature attached” for the fashion brand, Maiyet. Nowness has run an excerpt, and describes the project here. Against the arresting backdrop of the East African bush, Haley Bennett portrays a young woman at a crossroads in life in this daring film by the critically acclaimed director Cary Fukunaga, commissioned by the distinguished fashion brand Maiyet. “We showed up in Africa with a one-line idea of what we were trying to do,” says the young auteur, whose cast and crew spent three days in […]
by Scott Macaulay on Dec 10, 2012 -
“Blacklists,” Caveh Zahedi and Thom Powers
As one of the three journalists contacted by documentary film programmer Thom Powers last Spring about Caveh Zahedi’s The Sheik and I, I wanted to weigh in on the controversy that erupted this week following Zahedi’s accusation that Powers has “blacklisted” his picture, which opens today from Factory 25. After watching Zahedi’s YouTube video and then reading Powers’ response, I decided to talk to both men to explore the situation in more detail. Then, in the midst of writing this, I noticed Eric Kohn’s post at Indiewire this morning, which exhaustively discusses the film, the timeline of Powers and Zahedi’s […]
by Scott Macaulay on Dec 7, 2012 -
Trailer Watch: Shane Carruth’s Upstream Color
The follow-up to his Sundance Grand Prize-winning cult classic, Primer, Shane Carruth’s Upstream Color is one of the most-anticipated films of Sundance 2013. Here’s the just-released teaser trailer.
by Scott Macaulay on Dec 4, 2012 -
iPad App Vision Machine Reinvents the Independent Digital Comic
Filmmaker Greg Pak (Robot Stories) has released his graphic novel Vision Machine as an iPad app and, in the process, is pointing the way towards new storytelling formats and new production and distribution partnerships. Set in the year 2061, Vision Machine is a dystopian thriller revolving around augmented reality technology not unlike Google Glass. Touching on issues like privacy and digital rights, Vision Machine was funded by the Ford Foundation as an awareness tool, and after it was completed Pak teamed up with ITVS to reimagine it as an iPad app. After learning about Vision Machine from producer Karin Chien, […]
by Scott Macaulay on Dec 4, 2012 -
How to Do a Festival Q&A
The credits roll, there is applause, and not too many people walked out. The festival premiere of your debut film is over. You relax, a year’s worth of stress magically departing your body. Sure, there will be tough times ahead; distribution is difficult. But, for the moment, you congratulate yourself on a job well done. But don’t relax too much, warn a trio of festival heads. Your next big job as a director looms sooner than you think. The audience Q&A you’ll lead in just a minute or two is surprisingly important when it comes to your film’s future life. […]
by Scott Macaulay on Dec 3, 2012
