American Hardcore directors Paul Rachman and Steven Blush are back with Lost Rockers, a documentary on great rock ‘n roll performers who have been buried beneath the sands of time. They include Chris Robison, Gloria Jones, David Peel, Bobby Jameson, Evie Sands, Cherry Vanilla, and Gass Wild and Johnny Hodge of the Lightning Raiders. Rachman and Blush have just released this new teaser, and you can read more about the film at its website.
by Scott Macaulay on Jan 16, 2013
It’s a ritual here at Filmmaker — a pre-festival chat with Sundance Festival Director John Cooper about the films, filmmakers and what the annual Park City event might have to say about the big picture of independent film. Our style at Filmmaker is to refer to people by their last names, but in the case of Cooper, that’s doubly appropriate — that’s what everyone calls him. In our talk he was his usual unflappable self, seeming to have lost known of the palpable enthusiasm he evinced at the 2010 edition, the first after he and his Programming Director Trevor Groth […]
by Scott Macaulay on Jan 16, 2013Distribution veterans Bob and Jeanne Berney are returning to the business of releasing movies with Picturehouse, reviving the distribution brand Bob Berney headed in the mid-’00s. Reports Michael Ciepley in the New York Times, the Berneys, along with a group of investors, have bought the Picturehouse name and logo from Warner Bros. and have signed a deal with Netflix, which will release the company’s films following their theatrical release. A first picture is already lined up: “a 3D action movie,” Metallica Through the Never, starring the band. From the New York Times: On Tuesday, Mr. Berney said he is seeking […]
by Scott Macaulay on Jan 15, 2013
Jillian Mayer and Lucas Leyva screen their latest short, #PostModem, at the Sundance Film Festival this week, but today they’ve dropped “MegaMega Upload,” the music video that takes over the movie at one point. The filmmakers say of #PostModem, “[it’s] a comedic satirical sci-fi pop-musical based on the theories of Ray Kurzweil and other futurists. It’s the story of two Miami girls and how they deal with the technological singularity, as told through a series of cinematic tweets.” I saw the short at Borscht 8 this year; Mayer and Leyva’s lo-fi riff on uploaded consciousness is super smart. Indeed, you […]
by Scott Macaulay on Jan 14, 2013
New York-based Deborah Twiss burst on the scene as the co-writer and star of the 1997 thriller, A Gun for Jennifer. The film achieved cult success in the U.S. and abroad, and since then Twiss has built a diverse career by juggling multiple hats. For Eric Schaeffer’s After Fall, Winter, she co-produced and acted. For School of Rock: Zombie Etiquette, she starred and wrote. She wrote and directed her own feature, In Between, in 2005, and she also regularly appears in both mainstream movies (Kick-Ass) and television (Law and Order). Now she’s producing and wrote the screenplay for a psychological […]
by Scott Macaulay on Jan 9, 2013
After the pleasant shock of learning that there’s a new David Bowie single — a beautiful, Berlin-referencing melancholic ballad reminiscent of his Thin White Duke days — I was even more thrilled to see that the accompanying video is directed by one of my favorite artists, Tony Oursler. Check out the song and the video above.
by Scott Macaulay on Jan 8, 2013
Directors Josh and Benny Safdie (Daddy Longlegs) take on the illegal wildlife trade in The Trophy Hunter, a PSA made for the Turtle Conservancy and supporting Traffic.org. Here’s how the group describes the video: This year we are sending out a video whose content may be difficult for some viewers. However, the video highlights an important issue: the illegal wildlife trade and its role in the global extinction crisis. This holiday we are supporting TRAFFIC, the wildlife trade-monitoring network (traffic.org). The illegal wildlife trade is the third largest illicit trade after drugs and arms and is responsible for the extinction […]
by Scott Macaulay on Jan 6, 2013
At the Telegraph, Anne Billson explores the work of Canadian artist and fashion photographer Kourtney Roy, who draws from Guy Bourdin, Cindy Sherman, William Eggleston but also various film directors in her ravishing, psychologically mysterious, yet bordering on kitsch portraits. From Billson: Where does [Roy] get her ideas? “I’m always struck by images in films. I love Douglas Sirk.” Sirk is the Hollywood film director best known for sumptuous 1950s melodramas such as Written on the Wind and Imitation of Life. “I love the colours and the décor. I really like Hitchcock, too, but he’s been referenced so many times […]
by Scott Macaulay on Jan 2, 2013
Is it emotional? Does it advance the story? Those are two of six questions editor Walter Murch argues that editors must ask themselves for every cut. The other four? That’s the deep stuff. Watch the video to find out. (Hat tip: Cinephilia and Beyond.)
by Scott Macaulay on Dec 28, 2012
Congratulations to Filmmaker contributor Zach Wigon, who won this month’s Hammer to Nail Short Film Contest with his cyber-age paranoid romance, Someone Else’s Heart. From Michael Tully’s post: Is our increasing dependence on virtual communication deforming the way we interact with others in our real, everyday lives? Isn’t there something inherently strange about all this “how many friends and followers do you have” business of late? While the internet is without question an incredibly useful contribution to our modern world, on the other side of that coin, take a few steps back and watch someone “interacting” with their computer. Whether […]
by Scott Macaulay on Dec 27, 2012