When asked who his professional role models are, L.A.-based d.p. Rob Hauer, who has lensed some of the best shorts of recent memory, cites some obviously inspirational folks, including Robert Richardson, Emmanuel Lubezki and Robert Elswit. “They show a wonderful range and their work elevates their stories, which I’d like to do as well. And none of them had overnight success — they had to work hard to get where they are, like all of us do.” But he cites other artistic influences too, harkening back to his early study as a still photographer at California State Polytechnic University, San […]
by Scott Macaulay on Jun 17, 2011As readers of the blog and print edition know, I am scarily fascinated by the development and future potential of Stuxnet, the weaponized computer virus that slowed down Iran’s nuclear program last year. For those who need to catch up on Stuxnet, here’s a striking short doc that’s just over three minutes long. It’s made by Patrick Clair and Scott Mitchell for the Australian TV program HungryBeast. Mitchell scripted, and Clair directed and to the riveting motion graphics. Check it out. Stuxnet: Anatomy of a Computer Virus from Patrick Clair on Vimeo.
by Scott Macaulay on Jun 17, 2011
Filmed at the 2011 Sundance Film Festival, where their documentary Page One: Inside the New York Times premiered and received rave reviews, here are director Andrew Rossi and Times writer, subject, and soul David Carr (pictured above) discussing both the film and journalism in the age of the Internet. Originally posted Jan. 31, 2011.
by Scott Macaulay on Jun 15, 2011We have an interview with Bellflower director Evan Glodell in the next issue of Filmmaker, and he talks about finessing this trailer with Oscilloscope until it was the best it can be. Check it out. The film is a real Sundance discovery, a twisted relationship drama from a filmmaker who, in our piece, says he didn’t even really know what a film festival was before he popped his DVD in the mail to the Park City programmers. What I liked about the film: its raw emotional immediacy. This is a film about a break-up, and the movie itself feels pretty […]
by Scott Macaulay on Jun 14, 2011Filmmaker webmaster Michael Medaglia is also a talented director; I really liked his short, Kitty, Kitty — an eerie piece of psychological horror that reminded me of early Cronenberg. Here’s how he describes it: Kitty, Kitty is a short film about love, cats and brain parasites. The disturbing short was inspired by Toxoplasmosis, a disease caused by a brain parasite that can change human behavior and is believe to affect up to a third of the world population. This weekend Medaglia released the film for free on VODO.net, a website that turns filesharing and torrents into a legitimate distribution avenue […]
by Scott Macaulay on Jun 14, 2011Dee Rees’ powerful gay-themed drama has been one of our favorite film projects of the last few years. The film went through the IFP Narrative Lab, and two of its principals — writer/director Rees and d.p. Bradford Young — appeared on our “25 New Faces” list. So, we were thrilled when the film was picked up at Sundance by Focus Features and Rees was given a development deal. Focus has just released the trailer, which I’ve embedded below. And see my piece on Rees from the 2008 25 New Faces list and Jason Guerrasio’s on Young from the 2009 list.
by Scott Macaulay on Jun 13, 2011
I ordered the much sought-after Panasonic GH2 camera in February, and I just got it last week. And now, only a few days later, the DSLR is declared dead! Okay, I’m being a bit facetious here, as is, I think, Michael Murie over at his Notes on Video blog, which I linked to in the above paragraph. Or maybe not… As he notes in a series of links and excerpts, the professional community is now backing away from the camera format that was being celebrated everywhere — including Filmmaker — just a few months ago. He writes: The DSLR community […]
by Scott Macaulay on Jun 9, 2011Last night I attended a pre-opening for the new Elinor Bunin Munroe Film Center at Lincoln Center. It’s a gorgeous space with two theaters that are both modern but possessing of a classic arthouse vibe. Seeing Manhattan and An Affair to Remember unspooling threw me back to the Golden Age of NYC rep that I experienced in my college years. Particularly exciting was the space that lies in the middle — an airy auditorium with raked bench seating and the world’s largest plasma screen TV. Screenings will be held in this space as well as lectures, Q&As and community events. […]
by Scott Macaulay on Jun 9, 2011Today on the site we introduce Farihah Zaman’s new column devoted to genre cinema, “Lady Vengeance.” I’ve long wanted a place on this site dedicated to genre cinema and was happy when Farihah proposed tackling it. Some of you will know her byline from columns and articles posted at Reverse Shot and The Huffington Post. Here at Filmmaker she’ll be appearing every Friday covering genre films of all stripes and sizes, from the mega-blockbusters to the indie, micro and foreign-language titles that contain much of science fiction, fantasy and horror’s new energy. Her piece today, “Revenge of the Nerds,” is […]
by Scott Macaulay on May 30, 2011Bootleg or viral marketing? I assumed the former, but now there’s some chatter that it may be the latter. In any case I would have loved my first glimpse of David Fincher’s new film to be of a higher quality than this shot-off-the-screen Euro redband trailer. UPDATE: The redband trailer has been taken down. Here’s the greenband trailer. Oh, for more of star Rooney Mara, see my piece on her when we selected her as one of our “25 New Faces of 2009.”
by Scott Macaulay on May 30, 2011