As filmmakers, we are genetically programmed to look to the future. The next script, the next movie, the next deal. After all, the films — on DVD, on hard drives, in canisters stacked in our closets — are their own memories. Except, of course, that a film only tells part of the story. They are the ends of their tales, not the beginnings, and they only tell their own stories, and not the dramas of their making. If at all, those stories that circle around a film are only sometimes relayed in magazine profiles or in books written by people […]
by Scott Macaulay on Mar 26, 2010Zacuto, which rents HD cameras and DSLR camera accessories, gathered professional DPs and colorists for a “DSRL Shootout.” They compared the Canon 7D, 5D Mark 2, ID, the Panasonic GH1 and Nikon D3s and compared them to footage shot on Kodak and Fuji stock. The results were evaluated by a range of DPs, including indie cinematographers and ASC members, at AFI and Skywalker Ranch. The results are pretty astonishing. The first episode, a 35-minute piece in which all of these camera’s latitude are examined, is up but it’s not embeddable. See it at the link above. The trailer, however, is […]
by Scott Macaulay on Mar 25, 2010The new album hasn’t dropped yet, but this single has — at least on YouTube. To my ears it’s got kind of a Here Come the Warm Jets vibe. Meanwhile, Greenberg, which LCD’s James Murphy scored, is in theaters and its soundtrack is in the stores. It streams below.
by Scott Macaulay on Mar 25, 2010A misapprehension among people who do not play videogames is that the people who play them do so because these games must be fun. I am not saying that videogames are not fun. Sometimes they are and sometimes they are not, and whether one would call a game “fun” often has little bearing on whether or not one keeps playing it. To say that you play games because you are looking for fun is like saying you are hopping online or checking your iPhone because you are seeking information. You are, of course, but it’s way more complicated than that. […]
by Scott Macaulay on Mar 25, 2010Movieline has just printed a memo from David Mamet to the writers of the TV show The Unit, which he executive produced. It’s characteristically blunt and reductive, but in a good way. It’s nothing that you writers don’t know, but it is something that you writers (and, um, us producers) sometimes forget. Especially when responding to — or sometimes writing — notes of the “Do we really understand…?” variety. Here are a couple of excerpts, but read the whole thing at the link: SOMEONE HAS TO MAKE THE SCENE DRAMATIC. IT IS NOT THE ACTORS JOB (THE ACTORS JOB IS […]
by Scott Macaulay on Mar 24, 2010I took note of the videogame Heavy Rain after reading Seth Schiesel’s wildly positive review in the New York Times. Here are the first two grafs: The big storm has been raging for days. The winds around the eaves make me lonely, melancholy, and yet my guilt forces me forward in search of redemption. I have probably spent 10,000 hours playing various sorts of electronic games. But no single-player experience has made me as genuinely nervous, unsettled, surprised, emotionally riven and altogether involved as Heavy Rain, a noir murder mystery inspired by film masters like Hitchcock, Kubrick and David Lynch. […]
by Scott Macaulay on Mar 22, 2010While at Sundance I sat down with director Floria Sigismondi to discuss her debut feature, The Runaways, starring Kristen Stewart and Dakota Fanning as Joan Jett and Cherie Curie. I’ve been a fan of Floria’s for years, and with The Runaways she has brought her keen sense of place and design to convincingly recreate the Los Angeles rock scene of the ’70s. We talked about the origins of the movie, her cinematic inspirations (Christianne F.!), and getting the City of Angels right. Thanks to Sabi Picture’s Zak Forsman, Kevin Shah and Jamie Cobb for shooting and editing the piece.
by Scott Macaulay on Mar 19, 2010Here is Ride Rise Roar director David Hillman Curtis’s post-screening, post-Austin blog. Back in Brooklyn. Missing the warmth. The house we rented. The juice shack down the street I went to everyday, the festival and the films and the camaraderie we shared in that big house on Barton Blvd. It was an exciting trip for so many reasons. Like any big project, our film almost met an early fate several times. There were the cuts David rightly did not like and the commercial projects that sidelined the film for months at a time. A couple little flare ups looked as […]
by Scott Macaulay on Mar 18, 2010It’ not everyday that I can stream in its entirety a new film by Jean-Luc Godard on the website. Okay, I don’t know for sure that the teaser trailer for Godard’s forthcoming Socialism is the whole film, albeit sped-up, but I imagine it is. From a blog called Radio Deleuze comes what seems to be a synopsis: A symphony in three movements. Things such as: The Mediterranean, a cruise ship. Numerous conversations, in numerous languages, between the passengers, almost all of whom are on holiday… An old man, a war criminal (German, French, American we don?t know) accompanied by his […]
by Scott Macaulay on Mar 18, 2010Heather Menicucci from Howcast, the online site that develops filmmakers by having them create its instructional training videos, was down at SXSW meeting filmmakers and interviewing them for Howcast and YouTube’s Creator’s Corner. She’s just posted this video with tips from directors on how to attend SXSW. SXSW may be winding down on the film side (the awards are over but films are still screening), but, needless to say, these tips hold true for independent filmmakers and fests in general. Heather says the series will continue in coming days so check back to her site.
by Scott Macaulay on Mar 18, 2010