Garth Donovan’s Phillip the Fossil got good buzz at SXSW, with its lead actor, Brian Hasenfus, picking up a Special Jury Award for Best Individual Performance. I met Donovan on Tuesday and used my Flip camera to ask him a few questions about his movie.
by Scott Macaulay on Mar 17, 2010The winners of the SXSW Film Festival in Austin, Texas were announced tonight. Here is a complete list of the awards: DOCUMENTARY FEATURE – Marwencol (Director: Jeff Malmberg) Runner-up: War Don Don (Director: Rebecca Richman Cohen) NARRATIVE FEATURE – Tiny Furniture (Director: Lena Dunham) Special Jury Award – Best Ensemble: Myth of the American Sleepover (Director: David Robert Mitchell) SPECIAL JURY AWARD – Best Individual Performance: Brian Hasenfus in Phillip the Fossil (Director: Garth Donovan) Feature Film Audience Awards DOCUMENTARY FEATURE – For Once in My Life (Directors: Jim Bigham & Mark Moormann) NARRATIVE FEATURE – Brotherhood (Director: Will Canon) […]
by Scott Macaulay on Mar 16, 2010The group of filmmakers dubbed “mumblecore” is known for many things, but visual resplendency is not one of them. In fact, some of the movement’s biggest names proudly announce their disinterest in design, careful framing, and the dramatic effects of controlled lighting. From the outset, however, Aaron Katz has been an exception. Even when operating on the tiniest of budgets — as he did when shooting Quiet City for $2,000 — he has paid careful attention to the expressive potential of his characters’ surroundings. The nighttime industrial Brooklyn streets of Quiet City are not the harsh jungle of much urban […]
by Scott Macaulay on Mar 16, 2010Cameron and I went to pick up Jeanette Maier (the subject of our documentary, and the former high end madam of New Orleans) from the airport in our “Madam-mobile” which is what we’re now calling the 8 passenger van that we ended up renting when we got to town. It’s all they had left, because there are so many folks in town for SXSW and of course everyone had already booked the more subtle smaller cars. While we were waiting, the airport cop grilled us about what we were doing there, because apparently last year there were unmarked vans trying […]
by Scott Macaulay on Mar 15, 2010The genius of the Jason Bourne movies is their welding of existentialist inquiry with the demands of the thriller in a globalist age. Adapted from Robert Ludlum’s series, Doug Liman and screenwriters Tony Gilroy and W. Blake Herron established the template with The Bourne Identity, locating their film’s MacGuffin not in the outside world but under the skin of its hero. As ex-intelligence operative Jason Bourne skips from city to city, pursuing clue after clue, he is ultimately investigating not a case but his own identity. What kind of man was — is — he? For my money, the first […]
by Scott Macaulay on Mar 14, 2010
Matt McCormick may be premiering his first feature here in Austin this week, but he has long been a major figure within the Pacific Northwest’s independent film scene. For over 15 years he has made work that is both experimental and humorous, formally challenging and beguilingly poetic. His 2002 film, The Subconscious Art of Graffiti Removal, is something of a short-film masterpiece, a wildly clever riff on art criticism that is also an ode to changing face of the modern city. In addition to his film work, which he presents in film venues but also bars and rock clubs, McCormick […]
by Scott Macaulay on Mar 13, 2010My Arrival. Well, I made it. I’m in Austin for SXSW 2010 to premiere my documentary film, The Weird World of Blowfly. About 2-1/2 years of shooting and editing, endless phone calls, countless emails, and probably 50,000 airline miles to get to this moment. Probably there’s still more work to do on the film — I can already tell you half a dozen places where I want to tweak the color or adjust the mix — but I made it and I’m ready to introduce the film to the world. It’s a coming out party for 93 minutes of HD […]
by Scott Macaulay on Mar 13, 2010This week we have a number of guest bloggers posting here from SXSW. Follow them before and after their screenings to get a taste of the festival as well as their personal thoughts on premiering their films. First up is David Hillman Curtis, whose film Ride, Rise Roar captures David Byrne’s recent “Songs of David Byrne and Brian Eno” concert tour. SXSW. We arrived in Austin Wednesday night…late. My wife and I decided to bring the kids, 9 and 3, and make SXSW a family trip… we are exhausted and might leave early. Just kidding. When I heard the good […]
by Scott Macaulay on Mar 13, 2010Just in time for SXSW is this blog post from Mark Suster, an “entrepreneur turned VC” who blogs at “Both Sides of the Table.” Titled “Making the Most of Sitting on Panels,” it begins like this: “Many of us in the technology, media and VC world sit on panels at lot. Many of them are painfully boring.” I have to agree. I’m not a big fan of panels for some of the same reasons that Suster cites. Most panels are too big. By the time everyone gets a chance to talk and each answer a few questions, time is up. […]
by Scott Macaulay on Mar 10, 2010When I put together the clips for the “Young Person’s Guide to Kathryn Bigelow,” post below, there is one thing I left out. While scanning through her clips I did come across this music video for New Order’s “Touched by the Hand of God.” I don’t think I had ever seen it before, and I’ll confess that I initially stared at it trying to figure out if it was conceptual parody or whether New Order had had a mid-’80s hair-metal band image makeover I had somehow missed. (Correct answer: the former). Gray Miller posted this link below in the comments […]
by Scott Macaulay on Mar 10, 2010