Authors — Scott Macaulay

@SXSW: I PROMISE WE WON’T TELL…

At Scott Kirsner’s SXSW panel on digital downloads and vanishing physical media, he urged his panel members, who included Matt Dentler of Cinetic, Steve Savage of New Video, Rick Allen of Snag Films, and directors Gary Hustwit and Morgan Spurlock to spill the deep dish about digital downloads. Just what are the deal terms at the various outlets and what are the size of the checks filmmakers are receiving? “C’mon,” he said, “there are no journalists here. Nobody’s going to tell.” Not everybody took the bait, but Hustwit and Spurlock were both quite candid. Hustwit said that the digital sales, […]
by Scott Macaulay on Mar 16, 2009
@SXSW: BEST WORST MOVIE

The most unlikely act of cultural excavation and redemption, Michael Paul Stephenson’s Best Worst Movie is a hilarious and poignant celebration of not only the communal experience of making and watching movies but the sheer randomness of life itself. The doc is Stephenson’s attempt to find out why a seemingly execrable B-movie he made as a child actor, Troll 2, has garnered a cult following of viewers who not only get off on its badness but also find an odd kind of joy in its screwy storytelling. While Stephenson is present in the film, he smartly chooses as the doc’s […]
by Scott Macaulay on Mar 16, 2009
MISSION ACCOMPLISHED

The goal in any festival director transition: to maintain the quality of a festival and begin to put one’s personal stamp on it while not slowing its momentum or dampening its good will. Mid-way through SXSW, I’d say that for new director Janet Pierson, pictured here at the BMI dinner, that mission has been handily accomplished. Attendance is up; audience reaction to a good number of films is positive; the panels are informational and packed; there’s the requisite fanboy buzz from the opening night I Love You, Man plus today’s sneak of some of the Bruno footage; and there are […]
by Scott Macaulay on Mar 16, 2009
@SXSW: FOR THE LOVE OF FAIR USE

Sub-theme for me at SXSW this year: Fair Use. A day after posting my article on Tommy Pallotta about his American Prince, which employs a Fair Use strategy to include film clips illustrating doc subject Steven Prince’s life in the movies and relationship with Martin Scorsese, I run into Gerard Peary, who is here in Austin with his doc For the Love of Movies: The Story of American Film Criticism. His film includes interviews with critics like Andrew Sarris, Pauline Kael, Roger Ebert, Harry Knowles, Karina Longworth and Elvis Mitchell, and it also includes clips from the films they talk […]
by Scott Macaulay on Mar 15, 2009
@SXSW: PALLOTTA, SWANBERG, LIPES, RUSSO-YOUNG AND MORE

At SXSW, the first festival to play out after Twitter passed the tipping point, I’ve seen something I’ve never seen before at a festival: people passed out after a long night of partying with their laptops open on their laps. For those more awake, early response here has been very good for the opening night film, John Hamburg’s I Love You, Man, starring Paul Rudd; David Lowery’s St. Nick; Joe Swanberg’s Alexander the Last; Gary Hustwit’s Objectified. One outsider recommendation: at a party last night, one industry vet raved to me about 45365, which refers to the zip code of […]
by Scott Macaulay on Mar 15, 2009
SWANBERG AND DENTLER

Pictured above, on the second floor of the convention center, Alexander the Last director Joe Swanberg and Cinetic Media Rights’ Matt Dentler. Dentler to me: “You know, I don’t work here anymore, but you don’t need to wait on this long line for your badge. You can go to the Panelists Registration over there.”
by Scott Macaulay on Mar 14, 2009
‘AMERICAN PRINCE”‘S TOMMY PALLOTTA By Scott Macaulay

Even if you consider yourself a literate, well-viewed, cinema completist, you may not remember the name “Steven Prince.” I could jog your memory and tell you that he was influential to the films of Quentin Tarantino, Rick Linklater, and, most directly, Martin Scorsese, and the name still might not ring a bell. If that’s the case, don’t stress — I didn’t recognize the name either, even though I vaguely remembered that there exists a Scorsese film, American Boy, that I’ve never seen, and that Prince’s one scene in Taxi Driver, in which he plays Easy Andy, a fast-talking gun dealer, […]
by Scott Macaulay on Mar 14, 2009
SXSW FILM BEGINS IN AUSTIN

SXSW kicks off today, and here at Filmmaker we’ve aggregated our coverage in a standalone page that you can reach by clicking here. Up now are a number of pieces, including Alicia Van Couvering’s interviews with Joe Swanberg, whose Alexander the Last premieres this weekend and is available nation-wide on IFC On Demand, and the team of Daryl Wein and Zoe Lister-Jones of the film Breaking Upwards. There’s also Ry Russo-Young’s conversation with editor Lance Edmands and a series of “Austin Survival Tips” we’ve collected from a number of SXSW vets. I’ll be moderating the DIY distribution panel Sunday at […]
by Scott Macaulay on Mar 13, 2009
BIG NEWS AT FOX: RICE TO TV; UTLEY, GILULA TO RUN SEARCHLIGHT

From Variety comes news of an executive reorganization at Fox, with the big news for independents that Peter Rice, president of Fox Searchlight, will be moving over to become chairman of Fox Broadcasting. Nancy Utley and Steve Gilula, formerly COO’s of the specialty label, will now jointly take over Rice’s job. From the press release as published at Deadline Hollywood Daily: “Peter Rice is one of our most talented creative executives, having championed such films as Slumdog Millionaire, Little Miss Sunshine, and Juno during his tenure at Fox Searchlight. As we increasingly look to apply unconventional approaches to our traditional […]
by Scott Macaulay on Mar 12, 2009
IN SEARCH OF SLACKER: LINKLATER’S AUSTIN

It doesn’t matter where we’re from, we all remember the way the place used to be. You know, before the local dive bar became a TGIF, the Kroger became the Whole Foods, and back when the scene was truly a scene. But, of course, as powerful as nostalgia can be, it is also self-generating. What’s around us right now will one day be a newcomer’s “way it was.” In terms of a filmmaker’s celebration of his hometown, Rick Linklater’s Slacker has, perhaps, no equal. It not only documented a place, Austin, but it grafted a sensibility onto that place, a […]
by Scott Macaulay on Mar 12, 2009

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