Authors — Shaun Seneviratne
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Too Much of a Good Thing?
Digital cinema has afforded independent filmmakers many benefits, one of which is the ability to achieve something previously only the province of big-budget films: very high shooting ratios. However, the resulting mass of footage can overrun the typical understaffed, underfunded, low-budget edit room. “You’re shooting more footage, and usually with two cameras,” says Paul Frank, editor of the recent Maggie Carey comedy The To Do List. While he notes that there are many pros to this way of shooting — it benefits performance, it allows for more improvisation and, ultimately, more options in the edit room — he also notes […]
by Shaun Seneviratne on Oct 21, 2013 -
Call for Entries: IFP’s Made in NY Media Center
IFP’s Made in NY Media Center is now accepting membership proposals for their inaugural year. The MINY Media Center is a community workspace and incubator program that seeks to connect all kinds of mediamakers and tech startups with each other and provide education, mentorship, and entrepreneurship. So if you have an idea for a transmedia project that you’d like to develop and monetize, this is a great opportunity to be on the ground floor as the media center kicks off its inaugural year in October with a brand-new space in DUMBO. At the “Community Workspace” level, you get access to […]
by Shaun Seneviratne on Aug 30, 2013 -
Four Lessons in Cinematography from Nestor Almendros
Nestor Almendros has quite the filmography: most of Eric Rohmer’s films, a good amount of Francois Truffaut’s, Kramer vs. Kramer, Sophie’s Choice, and Days of Heaven (often considered one of the most beautiful films ever made). No big deal. You’d think that a cinematographer of his pedigree would be technically proficient and incredibly exacting in his approach. This couldn’t be less true. His approach to cinematography was incredibly intuitive. Directors and cinematographers alike could learn a lot from Almendros’ process, particularly when working on lower budgets and tighter schedules. Lighting Must Be Justified. Almendros believed that lighting exists for the actors, […]
by Shaun Seneviratne on Aug 30, 2013 -
A Digital Camera Built Like a Film Camera: The Black Betty
The Black Betty is a custom made camera that is quite simple in nature: an SI-2K Mini and a Mac Mini housed in one unit. What separates this from rest of the digital cinema crowd is its form factor: it’s actually built like a film camera. As technology progresses, things get smaller. We now have cameras like the Blackmagic Pocket Cinema Camera that shoots RAW video (soon, currently only ProRes) and is no bigger than a point-and-shoot — all for $1000. This is awesome. However, the issue is that filmmakers don’t seem to take advantage of the small form factor […]
by Shaun Seneviratne on Aug 29, 2013 -
The Intersection of Film and Live Music: Jem Cohen’s We Have an Anchor
Jem Cohen is back at BAM with the New York premiere of We Have an Anchor — a hybrid documentary that blends projections of landscapes in a variety of formats (Super 8, 16mm, HD), poetry and newspaper clippings to the sounds of a live score by an indie rock supergroup featuring members of Fugazi, Godspeed You! Black Emperor and more. A spiritual sequel to 2008’s Evening’s Civil Twilight in Empires of Tin, We Have an Anchor is an exploration of place (specifically Nova Scotia, more specifically Cape Breton) utilizing footage Cohen has shot over the last 10 years. Cohen departs […]
by Shaun Seneviratne on Aug 28, 2013 -
Crowdsourced Vine Short Film by You and Airbnb
A film can be as simple as coming up with a concept, brainstorming the shot list, shooting, and editing. That’s what Vine, the app that lets you produce six-second video loops, and Airbnb, the site that lets you rent people’s apartments, are counting on for their short film Hollywood & Vines. Airbnb is tasking Vine users with creating the content that will comprise its crowdsourced short, which will premiere on the Sundance Channel on September 12th. From August 22nd to 28th, Airbnb disseminated the shot lists hourly between 8am and 5pm via Twitter. Each tweet issued a creative prompt for […]
by Shaun Seneviratne on Aug 28, 2013
