Authors — Vadim Rizov
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Rep Reborn, Downtown: The Story Behind NYC’s Metrograph Theater
Though NYC is one of the best places in America to see repertory cinema, the number of theaters in the city has decreased greatly over the decades. That’s as true for rep houses as it is for first-run venues; the Metrograph will be programming in both fields. When the two-screen venue opens in March, it’ll be the first new independent movie theater to open in Manhattan in a decade; fittingly, it sits across the street from the long-boarded up Loew’s Canal Theatre. On a mid-December day, founder Alexander Olch, CEO Ethan Oberman and programming and artistic director Jake Perlin walk […]
by Vadim Rizov on Jan 20, 2016 -
A Conversation with Philippe Garrel (Part 1)
Explaining why Philippe Garrel is one of my favorite working directors can be difficult. Talking with a co-worker, I tried to sketch out his recurring interests: “he makes movies about men, often directors, who cheat on women and have trouble with themselves.” She rolled her eyes, and I’m not blaming her: what, again? Garrel began making movies as a teenager, and his early work that I’ve seen is both gorgeous and the epitome of stereotypical arthouse pretension of the period. There is 1968’s Le lit de la vierge, a very of-its-time film about a particularly mopey Jesus, and 1975’s Le berceau […]
by Vadim Rizov on Jan 13, 2016 -
“All My Characters Are Like Buster Keaton”: Corneliu Porumboiu on The Treasure
Corneliu Porumboiu is the most drolly despairing filmmaker of the Romanian New Wave. His previous narrative feature, When Nights Falls on Bucharest, or Metabolism, followed a director in the middle of production breaks off an affair with his lead actress while exasperating his patient producer. The opening shot is the director discoursing pedantically on the merits of celluloid; the movie was itself shot on film, and the joke is that this opening shot lasts exactly as long as one reel — deep drollery indeed. Following 2014’s one-off experiment The Second Game (in which Porumboiu and his dad watch a VHS tape of a Ceaușescu-era soccer game […]
by Vadim Rizov on Jan 8, 2016 -
A Spoiler-Free Review of Star Wars: Episode VII — The Force Awakens, A Film by J.J. Abrams
When confirming RSVPs for the one and only Episode VII press screening in NYC, Disney’s email included some more-severe-than-usual boilerplate about spoilers and embargoes: “In order to give audiences around the world the opportunity to enjoy Star Wars: The Force Awakens to its fullest and allow them to discover its surprises and plot twists in the cinema, we respectfully ask that you as press continue to be our partners on this journey, and we ask that you refrain from revealing spoilers and detailed story points in your coverage, including on social media.” This is a little corporate-slimy (I’m a partner now? Do […]
by Vadim Rizov on Dec 16, 2015 -
“I Don’t Want to Make Audiovisual Historical Aids”: Kent Jones on Hitchcock/Truffaut
The formal title of Hitchcock/Truffaut (alternately Hitchcock and The Cinema According to Alfred Hitchcock) is a vexed question mooted by its famous title design: Hitchcock’s name on one side, François Truffaut’s on the other. First published in 1966 and revised before Truffaut’s death, it’s one of the most commonly name-checked starter texts for anyone looking to learn more about film. In a series of extensive, probing and relatively unguarded conversations, Truffaut guides Hitchcock through his work film-by-film. Illustrated by numerous stills (including one- and two-page layouts showing every shot choice from particularly famous/intense sequences, breaking them down in a lucid, teachable way), the book allows a director in total command […]
by Vadim Rizov on Dec 4, 2015 -
381 Minutes in 3,387 Words: Miguel Gomes’ Arabian Nights
I’ve come to the reluctant conclusion that there’s no way for me personally to really break down Miguel Gomes’ Arabian Nights trilogy without going through it segment by segment — “reluctant” because this could be too long, for both me and you, the reader, but it must be done. Gomes’ previous two features Our Beloved Month of August and Tabu are vital, terrific, and whatever other approbatory adjectives you want to throw at them; he is, no doubt, a major director, and will be so again. Arabian Nights is not a major movie, but rather a messy sketchbook stuffing disparate short- and medium-length films into an unwieldily […]
by Vadim Rizov on Dec 3, 2015 -
Watch: Charlie Lyne’s Copycat, A Short Film About the Proto-Scream
This short film by Charlie Lyne (whose zippy, highly enjoyable essay/compilation film about teen movies, Beyond Clueless, is still available on Netflix Instant) tells the story of Rolfe Kanofsky, a pioneer who maybe got scalped. Barely out of high school, Kanofsky made a meta-reflexive horror film, There’s Nothing Out There, that bears a suspicious relationship to Scream. Did Wes Craven’s son having seen it have anything to do with it? Whatever the case, Copycat is a fun watch; bonus points for making the whole thing plausibly seem as if it were being watched on a beaten-up VHS.
by Vadim Rizov on Nov 18, 2015 -
Watch: David Lynch Talks Saving Twin Peaks on Letterman, 1991
While Lynchians wait patiently for the 2017 return of Twin Peaks, a good way to pass the time might be with Dennis Lim’s new book on the director. Numerous extracts from David Lynch: The Man from Another Place have been shared online, and this part on Twin Peaks, recently published on Slate, is a fine place to start. As Lim writes: In what was widely seen as a bid to euthanize the show, ABC moved Twin Peaks to the television wasteland of Saturday night at the start of the second season. Ratings continued to decline, and in February 1991, the network put the show on hiatus, to the […]
by Vadim Rizov on Nov 16, 2015 -
Watch: An Andrew Bujalski Book Trailer for Karen Olsson’s All the Houses
We don’t normally post book trailers over here, because a) that’s not our remit b) they are, by and large, perfectly dreadful. This is a little different though, since it’s been made by Andrew Bujalski to help promote his wife Karen Olsson’s second novel All the Houses — as he wrote in an email, “I directed a ‘book trailer’ (not that anyone seems to know what a ‘book trailer’ is).” The novel concerns a family haunted by the father’s involvement in Iran-Contra. That makes for an excuse to playfully intercut between questions to Olsson (who sometimes cracks up at her inability to […]
by Vadim Rizov on Nov 10, 2015 -
It’s an Ice Age-Flavored Dilution of Your Legacy, Charlie Brown: The Peanuts Movie
The two opening logos for The Peanuts Movie say pretty much everything about the two differing sensibilities birthing Charles Schulz’s characters into the 3D CGI 21st century. First there’s the 20th Century Fox logo, its familiar fanfare rearranged to accommodate Schroeder’s extra piano flourishes in front of the spotlight beams. Then emerges Skrat the squirrel, mascot of Blue Sky Studios, the animation studio whose signature product is the Ice Age franchise. In line with its competitors at DreamWorks and Universal Animation, Blue Sky specializes in a very particular kind of animated family product, one in which heavy-handed lessons are blended with admirably caricatured […]
by Vadim Rizov on Nov 4, 2015
