Today is Dustin Hoffman’s 77th birthday, as good an opportunity as any to post this 33-minute interview from 1975. Conducted with patient professionalism and minimal intrusiveness by veteran interviewer Michael Parkinson, the conversation starts with lots of long pauses and deadpan stares from Hoffman, who claims his real name is Clare Boothe Luce. Loosening up, he deadpans that his “first fantasy was to be a sex symbol film star,” discusses how he drew upon his high school fear of buying “male prophylactics” for the scene in The Graduate when Benjamin Braddock nervously checks into a hotel, recounts his first sexual […]
by Vadim Rizov on Aug 8, 2014
The obvious viewing choice to commemorate today being the 40th anniversary of Richard M. Nixon’s resignation would probably be either Oliver Stone’s expansive, feverishly/ludicrously compelling Nixon or Robert Altman’s more compact but no less outlandish Secret Honor, a paranoid monologue barked by an increasingly intoxicated Philip Baker Hall. In a more ironic vein, you might turn to Nixon’s own viewing choices: he watched 528 movies during his time in office. An apt favorite might be Patton, which he viewed three times prior to initiating the bombing of Cambodia (he told David Frost the movie didn’t influence his decision), or his […]
by Vadim Rizov on Aug 8, 2014
Here’s this week’s links round-up of film reading and other assorted pieces: • “My main impression was that Batman looks like he’s wearing a small tank turret on his head. The fans were apparently pleased with what they saw.” Kristin Thompson’s level-headed report from Comic-Con has enthusiasm for Peter Jackson, less so for Zack Snyder, and a detailed overview of the on-the-ground administrative logistics of the fantasy gathering behemoth. • Roaring Currents, a war film/biopic of Admiral Yi, one of Korea’s most historically revered figures, is doing massive, record-setting business at home. The movie inflates the scope of Yi’s (still […]
by Vadim Rizov on Aug 7, 2014
Thanks to our friends at No Film School for pointing us to this useful video from DSLR workshop instructor Enrique Pacheco, which covers the basics of time-lapse photography in under three minutes. His useful tips include the importance of checking the position of the sun, moon and stars before shooting, why you should use an intervalometer, how to avoid flicker, and the importance of a simple ND filter.
by Vadim Rizov on Aug 6, 2014
David Lynch recently confirmed that he has no plans to direct a new film, but he’s still available for commercials. Rouge Louboutin is a $50 nail polish inspired by the Ballerina Ultima, the tallest shoe Louboutin has ever designed. You can see where this is going: the video is about as festishistic as it gets, filled out by CGI landscapes that look more like The Imaginarium of Dr. Parnassus than anything in Lynch’s filmography.
by Vadim Rizov on Aug 5, 2014
Forty-ish years on, Rip Torn’s thoughts on the demeaning nature of product placement (as told to Studs Turkel in his classic oral history Working) remain relevant, with no contemporary amendation necessary: I remember doin’ a television show, oh, about ten years ago — I haven’t worked on network television for about eight years. I was smokin’ a cigar. I was playing a Quantrell-type character, so I had a long Cuban cigar. I got up on a horse and we had to charge down a hill. It was a long shot. The director and the producer both hollered, “Cut! Cut! What’re […]
by Vadim Rizov on Aug 4, 2014
This one’s just for fun: while awaiting the premiere of Abel Ferrara’s keenly anticipated biopic Pasolini, you can watch the writer/director taking lead guitar and vocals with Italian band Statale 66 on a lightly bluesy number lyrically heavy on Louisiana swamps and other familiar images. Ferrara self-described himself as “a failed rock ‘n roller” in an interview earlier this year, where he recalled his youthful time with a band that “never made it out of the garage”: My uncle had a club and we were auditioning for him. When we got done he was like, “You wanna make money in […]
by Vadim Rizov on Aug 4, 2014
“Cutting is not just something that we have to do because of the discontinuous nature of the way we shoot films,” Walter Murch muses in this clip from a recent conversation with Iron Man/Chef director Jon Favreau. “We actually, both as filmmakers and as audiences, like these sudden juxtapositions of concepts.” Editing, of course, is Murch’s beat — his livelihood and the subject of multiple books he’s both written and been interviewed for. A little overlap with past comments is to be expected, and his thoughts about understanding editing as what happens when you blink and your eye moves from […]
by Vadim Rizov on Aug 1, 2014
• For years, Bollywood star Salman Khan released one of his big films around the same time as Eid, the first day after the end of Ramadan. Last year he deviated from form and — as Nancy Tartaglione points out points out at Deadline — watched as rival star Shah Rukh Khan’s record-breaking Chennai Express took advantage of the slot. This year Salman’s back in scheduling place with his new film Kick, which is off to a good start — no thanks to the qazi (religious judge) at Bhopal, who in the middle of a sermon admonished his flock to […]
by Vadim Rizov on Jul 31, 2014
A press release prepared by documentarian Robert Drew’s family announced his death today at age 90. Drew is remembered as a pioneer of cinéma vérité — now a term thrown around carelessly to denote just about any documentary assembled without talking heads or a narrator, which is a radical oversimplification of vérité’s possibilities. It’s not oversimplifying to note that Drew’s Primary (covering the JFK-Hubert Humphrey faceoff in the 1960 Wisconsin primary) and Crisis: Behind a Presidential Commitment (examining the administration’s standoff against segregationist George Wallace) are two of the key documents of the Kennedy presidency, whose levels of candor, access […]
by Vadim Rizov on Jul 30, 2014