Festivals & Events
Festivals & Events
-
“The Best is Always Zero Budget”: David Verbeek on Tribeca 2025 Premiere The Wolf, the Fox, and the Leopard
In a contemporary take on Werner Herzog’s The Enigma of Kaspar Hauser (1974), The Wolf, the Fox, and the Leopard depicts a woman who lives amongst wolves being whisked away and plunged into human society. Director David Verbeek presents this jarring story as a kind of apocalyptic fairytale, in which a feral woman learns what it means to be human while humanity itself is bracing for the end of the world as they know it. Mostly set on a repurposed offshore oil rig, the film explores how the interests of men and nature inevitably clash in the face of impending […]
-
Our 16 Most Anticipated Films of the 2025 Tribeca Festival
Although the heat has yet to properly arrive, today’s kickoff of the annual Tribeca Festival, now firmly ensconced in its post-Cannes calendar slot, signals the unofficial start to the summer season among the New York City cinema-going sect. Running from June 4 through 15, the program this year boasts 118 feature films with an impressive 95 world premieres among them. Even if the word “film” is no longer centered in the festival’s actual title, it certainly remains the concerted programming focus. Though there are also plenty of offerings in their TV, games, audio, interactive and Tribeca X sections—the latter of […]
-
Metrograph Announces Edo Choi as Film Programmer
Metrograph, the New York repertory and first-run cinema, announces today the hiring of Edo Choi as Film Programmer. Choi was most recently the Associate Curator of Film at the Museum of the Moving Image and begins at Metrograph immediately. A New York-based film programmer, projectionist, and critic, between 2014 and 2019 Choi worked as a projectionist and then programmer for the Maysles Documentary Center. From late 2019 to early 2025, he was the Assistant—later Associate—Curator of Film at the Museum of the Moving Image, as well as the Senior Programmer of the Museum’s annual festival First Look, which celebrated its […]
-
Adolescence Sweeps 2nd Annual Gotham TV Awards
Netflix’s limited series Adolescence picked up three prizes at the second annual Gotham TV Awards, held on June 2 at Cipriani Wall Street in New York City. Among those awards were breakthrough limited series, lead performance in a limited series (Stephen Graham), and supporting performance in a limited series (Owen Cooper). Accepting the top prize, actor and co-creator Graham expressed surprise that Adolescence has already become a worldwide phenomenon. “We’re overwhelmed for you to embrace us the way you have … . This was a small colloquial piece that was made with love, respect, humility and dignity, and we treated […]
-
“‘History’ with a Capital ‘H'”: Mascha Schilinski on Cannes 2025 Award-Winner Sound of Falling
Mascha Schilinski’s Sound of Falling was so rapturously acclaimed upon its premiere on the first full day of Cannes 2025 that some thought they’d already seen a possible Palme d’Or winner. In the end, her film shared the Jury Prize with another adored Competition title, Sirât, whose end-times death-trip might seem to overshadow the ordinary-sounding logline for Sound of Falling: four generations of girls on a farm in Germany. But this film swiftly establishes itself as an equally virtuosic secret history and sustained experiment in female subjectivity in kaleidoscopic form, drawing on scenes and notes from journals and voices from […]
-
“There Was No Going Around Gaza”: Raoul Peck on Cannes 2025 Premiere Orwell: 2+2=5
Raoul Peck’s new documentary Orwell: 2+2=5 opens with a credit sequence featuring images of what appear to be microscopic larvae wriggling across the screen. The message seems clear: something nefarious is afoot on this globe, but still in its incipient stages. If we fail to act, it’s going to get much worse. In recent years, the filmmaker has made direct, no-nonsense use of the nonfiction form to address, from various angles, the rot of white supremacy, its historical roots and its unchecked future. Building on I Am Not Your Negro, Silver Dollar Road, the miniseries Exterminate All the Brutes and […]
-
“We’re On the Cusp of a Real Revolution in Independent Film”: Producer Joe Pirro on Cannes 2025
Producers Joe Pirro and Caroline Clark attended the 2025 Cannes Film Festival as Gotham Cannes Producer Network Fellows. Pirro is with the New York company Symbolic Exchange, and Clark L.A.’s Kindred Spirit. The two recently collaborated on Andrew Ahn’s The Wedding Banquet, and here, in a part one of a two-part conversation, that share their festival debrief. First up, Clark querying Pirro. Clark: You were awarded this year’s Sundance Institute | Amazon MGM Studios Producers Award for Fiction at the Sundance Film Festival. From a decorated producer’s point of view, how do you like to prioritize your time at Cannes, […]
-
Cannes 2025: Awards, Young Mothers, Sentimental Value, Resurrection
The cinema world was quick to juxtapose an image from the climax of this year’s award ceremony—where Iranian director Jafar Panahi took home the Palme d’Or for his generously-received It Was Just an Accident—alongside one in which this year’s jury president Juliette Binoche protested Panahi’s 2010 arrest and imprisonment while she accepted her Best Actress prize for Certified Copy. The latter image, one of the most indelible of recent Cannes history, also circulated a bit after the lineup was announced several weeks before the festival began, as many doubted Binoche’s capacity for impartiality. Whether or not Panahi’s film needed only […]
-
Cannes 2025: Entroncamento, The Mastermind
In a piece about the documentaries at this year’s Cannes, Slate’s Sam Adams noted the existence of Put Your Soul on Your Hand and Walk but declined to name the section it was in, referring to it only as “a low-profile sidebar devoted to independent productions.” That would be ACID, which—with the possible exception of the CINEF section that shows film school shorts—is, yes, probably the lowest-profile of the Cannes premieres sections. To decide ACID isn’t worth naming is a reminder of the infinite proliferation of hierarchies at Cannes; there are dark rumors that even though the press badges are […]
-
“It’s Not Enough to Only Have Narrative”: Hlynur Pálmason on Cannes 2025 Premiere The Love That Remains
Icelandic filmmaker Hlynur Pálmason’s epic 2022 film Godland mapped the crisis of faith experienced by a 19th-century Danish priest on a mission to Iceland. A majestic tapestried shot of a horse skeleton lifts viewers from the difficult physical and emotional terrain of the film’s narrative world into a realm that is more formal, ethereal, and symbolic. Similarly, Pálmason’s fourth feature, The Love That Remains, which premiered at Cannes last weekend, is only in some layers a dark comedy about the varied pains experienced by a rural Icelandic family undergoing a separation of parents Anna (Saga Garðarsdóttir) and Magnús (Sverrir Guðnason). Horses […]
