Festivals & Events
Festivals & Events
-
Slamdance 2024 Announces Winners, The Accident and Inheritance Take Top Prizes
The 2024 Slamdance Film Festival, which returned this year to its original home at the Doubletree Park City (i.e., the Yarrow), announced the winners of its Sparky Awards on Friday. Giuseppe Garau’s The Accident, a 16mm-shot film about a newly separated woman finding employment within the tow-truck industry, won the Narrative Feature Grand Jury Prize. The Documentary Feature Grand Jury Prize went to Matt Moyer’s and Amy Toensing’s Inheritance, an Appalachia-set film dealing with the opioid epidemic. Kiarash Dadgar, whose short film The Steak played the festival, was awarded the AGBO Fellowship, which comes with $25,000 in prize money and […]
-
Sundance Film Festival 2024 Announces Awards
The Sundance Film Festival has announced the awards for this year’s edition. The list follows below, with links to our coverage of the films in question as available: GRAND JURY PRIZES The U.S. Grand Jury Prize: Dramatic was presented to In The Summers / U.S.A. (Director and Screenwriter: Alessandra Lacorazza, Producers: Alexander Dinelaris, Rob Quadrino, Fernando Rodriguez-Vila, Lynette Coll, Sergio Lira, Cristóbal Güell) — On a journey that spans the formative years of their lives, two sisters navigate their loving but volatile father during their yearly summer visits to his home in Las Cruces, New Mexico. Cast: René Pérez Joglar, […]
-
Sundance 2024: Devo, War Game, Girls State
First you get radicalized, then you get professionalized—a familiar trajectory Chris Smith’s Devo retells in a familiar idiom. After sitting down with dour conspiracy theorist Michael Ruppert for 2009’s Collapse, the American Movie director didn’t make a feature for eight years. He returned to begin his populist doc era with 2017’s Jim & Andy, which made generous use of previously unseen videos of Jim Carrey acting like a maniac “in character” as Andy Kaufman on the set of 1999’s Man on the Moon. In present-day interviews, Carrey described his dilemma: having given a performance at a relatively young age that confirmed […]
-
Creative Capital Announces 2024 “Wild Futures: Art, Culture, Impact” Awards
Creative Capital, the granting and artist support organization, announced this week its 2024 awardees in the categories of Visual Arts and Film/Moving Image, totaling $2.5 million in grants to artists chosen from 5,600 applications. The Film/Moving Image recipients include 25 New Faces of Film Ephraim Asili and Marnie Ellen Hertzler. The full list follows below, and click here to learn more about the individual projects. VISUAL ARTS Jordan Ann Craig, Santa Fe, NM Brigit Johnson, Placerville, CA Emily Barker, Los Angeles, CA Andrea Carlson, Grand Marais, MN and Chicago, IL Nani Chacon, Albuquerque, NM Christy Chan, Richmond, CA william cordova, […]
-
“A Departure From Narratives of Division” | Iliana Sosa, God Save Texas: La Frontera
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? God Save Texas: La Frontera unfolds its narrative amidst the backdrop of El Paso, Texas—a sister city to Ciudad Juarez, Chihuahua. Within the embrace of the Border, a realm pulsating with political fervor, two cultures harmonize, forging the unique tapestry that defines this […]
-
“This is the Story of Environmental Racism”: Editor Rosella Tursi on God Save Texas: The Price of Oil
Inspired by God Save Texas: A Journey into the Soul of the Lone Star State, the Pulitzer Prize-winning journalist Lawrence Wright’s examination of the contradictions and history of Texas, God Save Texas is an anthology series in which three Texan directors offer their own perspective on the state. The second of these, God Save Texas: The Price of Oil, is Corman’s World director Alex Stapleton’s examination of the history of the country’s energy sector and its relationship to her own family history, who arrived as enslaved people in the 1830s. Below, God Save Texas: The Price of Oil editor Rosella Tursi discusses editing the […]
-
“Texas is a Mirror That Reflects Back What America Has Been” | Alexandria Stapleton, God Save Texas: The Price of Oil
Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Texas is many things – a place, an identity, and an idea. It is a state, a state of being, and a state of mind. It holds itself apart and is held apart. It polarizes. And that makes for a good story. My […]
-
Kindness, the Dark Arts and Viruses at Sundance: Taylor Hess’s Producer Diary #2
As I stand up to file out of a movie, a man shouts, “Hail Satan!” and I stand up a little straighter. There are bright blue spotlights and masks of ancient Egypt adorning the walls around me. It’s late Sunday night, the opening weekend of Sundance is coming to a close, and I’m feeling exhausted. A fresh-faced stranger strikes up a conversation, and I realize I can’t speak. Every time I try to talk, I start coughing. I’m offered an Altoid. It dawns on me that while watching a no-dialogue movie about Satanists, I’ve lost my voice. Dark magic…or something […]
-
“The Point Is to Struggle With What You’ve Been Given”: Editor John Magary on Between the Temples
Between the Temples, co-written by C. Mason Wells and director Nathan Silver, follows a spiritually conflicted cantor (Jason Schwartzman) who finds his faith somewhat revitalized when his grade school music teacher (Carol Kane) enrolls as his latest adult bat mitzvah student. Editor John Magary discusses how he approached cutting Between the Temples, particularly when it came to navigating the film’s heavy use of improv. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]
-
Sundance 2024: Soundtrack to a Coup d’Etat, Nocturnes
Belgian filmmaker Johan Grimonprez’s first feature, 1997’s Dial H-I-S-T-O-R-Y, intertwined news footage of plane hijackings with voiceover readings of passages from Don DeLillo’s White Noise and Mao II—he’s no stranger to rendering sweeping diagnoses within unorthodox historical frameworks. Soundtrack to a Coup d’Etat re-examines the assassination of Patrice Lumumba; the Soundtrack portion of the title points to the film’s other main strand, the political roles of American jazz musicians during the period, ranging from unwittingly complicit—Louis Armstrong performed a show in the Congo unaware that he was providing cover for CIA actions—to actively dissident, with the film bookended by vocalist […]
