After a four-hour flight delay (owed to a malfunctioning back-up system accessory, subsequent plane evacuation and a lengthy re-fueling process), I arrived in New Orleans exhausted but still, miraculously, eager to spend much more time sitting in a shifting rotation of seats. Even if I wanted to, I wasn’t entitled to complain much. I’d been invited to cover the annual genre-themed Overlook Film Festival, now in its seventh year, and was genuinely thrilled by the opportunity. As a relatively green (not to mention newly full-time) magazine staffer, longtime horror obsessive and someone who’d yet to visit New Orleans, Overlook presented […]
A document is always an outsider’s view. –John Berger It had been five years since I attended CPH:Forum, with a pandemic in between. I’m having a lot of trouble recognizing once-familiar things in general but I know CPH:DOX well, having attended off and on for over 12 years, and I know that it used to stand for something unique in the nonfiction landscape. And while vestiges are still there, it felt this edition (March 15 – 26 in Copenhagen, Denmark) as if the whole enterprise was at a tipping point in terms of growth. Don’t misunderstand: What the team there accomplishes, […]
Today, BAVC Media (formerly Bay Area Video Coalition) announces their 2023 MediaMaker Fellowship cohort, comprised of emerging and mid-career artists embarking on social documentary projects. All seven participants will receive $10,000 in unrestricted funding as well as mentorship, feedback sessions and workshops during a nine-month period. The fellows are Paige Bethmann (Remaining Native), Aurora Brachman (Dear You), ilana coleman (The Inventory, also a 25 New Faces of Film from 2017 and co-writer of fellow 25 New Face Juan Pablo González‘s 2021 film Dos Estaciones), Tommy Franklin (You Don’t Know My Name), Cyrus Moussavi (Somebody’s Gone), Hannah Myers (Daddy) and tashi […]
The Overlook Film Festival announces today the films that won both Jury and Audience Awards during the 2023 edition. The seventh iteration of the horror-fueled festival took place from March 30 through April 2 in New Orleans, featuring over 50 films from 12 countries. This was an especially vital year for the festival, boasting 45 sold out screenings, 110 filmmaker guests appearing in-person and approximately 5,000 audience members in attendance. Two feature films were granted Audience Awards this year: first place went to Australian filmmakers Colin Cairnes and Cameron Cairnes ’70s TV talkshow spoof Late Night with the Devil. The […]
If there’s one thing pandemic shutdowns have proven over these past few years, it’s that (far too) many film festivals can just as easily be covered online. (Do I really need to hop on a plane and into a faraway cinema to view the latest Netflix Original?) That, thankfully, is not the case when it comes to the Copenhagen International Documentary Film Festival, now in its 20th year and still one of the most punk rock rebellious events around, as evidenced by e.g. the fest’s decision this edition (March 15-26) to team up with Kunsthal Charlottenborg, the palatial contemporary art […]
New Directors/New Films, the annual showcase of work by emerging directors co-presented by the Museum of Modern Art and Film at Lincoln Center, began this week in New York City and runs through April 9. The 2023 slate features 27 features and 11 shorts, most of them culled from top-tier festivals such as Berlin, Cannes, Locarno, and Rotterdam. As always, ND/NF’s offerings are global in scope, with over 30 countries represented, and the programmers remain admirably committed to arthouse aesthetics: conventional genre films and commercially minded crowd-pleasers are thin on the ground here. This is a festival for audiences willing […]
Last year at the 2022 Berlinale I had the uncanny experience of watching Hito Steyerl’s documentary The Empty Center (Die leere Mitte, 1998) in a 75-seat theater hidden away beneath The Sony Center. If you’re unfamiliar with The Sony Center in Berlin, take a second to Google it, or think back to the sterile postmodern backdrops of Brian De Palma’s Passion, in which architect Helmut Jahn’s eight-building complex plays a prominent role. The Empty Center is, in part, about the obscene land grab that occurred after German reunification, when multinational corporations like Sony, Daimler-Benz and ABB swept in to stake […]
When I first met Kimi Takesue, I saw a flash of recognition from her that my eyes reflected. It was clear we understood something very specific about each other—being biracial is, as she said, “a particular sensibility.” Takesue’s father is Japanese American, and her mother is Italian and German; my father is Filipino American, and my mother is also German. I’ve seen this same immediate recognition disarm other half-white, half Asian Americans whose way of carrying themselves, especially when that has helped them pass in white company, suddenly loses its balance: they feel seen for what they are (and are […]
The Sundance Institute announces today six fellows selected for the second edition of the Trans Possibilities Intensive. Hosted by the Intensive’s founder Moi Santos, the three-part event will take place from March 27-29 and feature mentorship from four creative advisors and Sundance’s Equity, Impact, and Belonging Program. The six fellows for 2023 are Seyi Adebanjo, Rajvi Desai, Malik Ever, Nick Janaye, Jamie John and Tee Park Jaehyung. They will receive guidance from creative advisors Sydney Freeland (Drunktown’s Finest), Aitch Alberto (Aristotle and Dante Discover the Secrets of the Universe), Félix Endara (UNSEEN) and Chase Joynt (Framing Agnes). Originally founded in […]
Creative studio and production company Even/Odd has partnered with the Kiarostami Foundation on a special product collection that celebrates the legendary Iranian filmmaker Abbas Kiarostami. The collection currently features three items: a 40-page graphic novel and activity book that reimagines Kairostami’s 1987 film Where Is the Friend’s House?, a small-batch mulberry jam inspired by his 1997 film Taste of Cherry and reprints of original posters designed by the filmmaker for Friend’s House, Certified Copy (2010) and A Wedding Suit (1976). These products are the first of many that the California-based company (founded by Mohammad Gorjestani, a 25 New Faces of […]