Japan Society and Metrograph will co-present Mikio Naruse: The World Betrays Us, a 30-film retrospective devoted to Naruse, the “fourth great” master of Japanese cinema, from May 9th through June 29th. Co-organized with The Japan Foundation, New York, the two-part… Read more
A beloved and virtuoso annual production, David Ehrlich’s video montage of the previous year’s best films is here. Set aside 23 minutes and dive in. Ehrlich’s practice it to use these videos to fundraise for non-profits, and he asks directors to name receiving organizations. Last year, he decided himself to direct the funds to Palestine Children’s Relief Fund. Today, he writes, he writes: This year, I would again like to do what I can to support the people of Palestine. Eager to ensure that this fundraiser is as effective as possible at a time when aide isn’t reliably reaching the […]
In a newly released featurette, writer/director/actor Jesse Eisenberg, actor Kieran Culkin, producer Emma Stone and others discuss Eisenberg’s Sundance-premiering feature, A Real Pain, out Friday from Fox Searchlight. It’s a comedy/drama about two cousins navigating long suppressed tensions while on a Holocaust remembrance tour to Poland, and one obvious question to ask is in what order those two elements occurred within the development process? Was Eisenberg attracted to the Holocaust tour concept first, or wanting to explore the family rivalry? That question is answered, along with more, in the above clip.
The latest venture from MEMORY — the 25 New Face-selected production company of producers Sebastian Pardo and Riel Roch-Decter — has kicked up a bit of mainstream attention this week, with TMZ, People Magazine and Daily Telegraph, among others, covering coded comments by The 1975’s Matty Healy on a certain ex. But the project – the Doomscroll political talk show series/podcast hosted by artist and writer Joshua Citarella and featuring Healy as the latest guest — is not another celebrity chat fest but rather a series of long-form discussions on contemporary politics, culture and theory — “‘Lex Fridman for the […]
Alfred Hitchcock, the director as well as self-analyzing critical observer, is evoked in the latest documentary from Mark Cousins, titled, appropriately, My Name is Alfred Hitchcock. During the pandemic lockdown, Cousins was invited by producer John Archer to make a film about the great director timed to the 100th anniversary of his debut film. Cousins set about watching all of Hitchcock’s films in chronological order, reading various critical book as well as works by his daughter and The Birds actress Tippi Hedren, all the while filling up notebooks of thoughts, reflections and details. That research and viewing produced a script, […]
Earlier this year, filmmaker Andrew Norman Wilson (profiled as part of our 25 New Face of Independent Film list in 2021) published an essay in The Baffler about his struggles to get his work financed, made and seen. Entitled “It’s Not What the World Needs Right Now,” the (mostly) comic essay made enough of a splash that Wilson has subsequently presented it (in New York, Los Angeles and Locarno) as a live one-man show while dressed as Abraham Lincoln. Now the presentation form returns to New York’s Metrograph this Friday, and we’re pleased to share Wilson’s trailer for the event, […]
Taking a page from Lost Highway‘s long-ago trick of using “Two Thumbs Down” as a blurb for the poster, the trailer for Francis Ford Coppola’s Megalopolis pullquotes many of the negative responses to his work over the years, some from long-dead critics like Andrew Sarris and John Simon. (Here’s Vadim Rizov’s review from Cannes.) The film opens September 27 from Lionsgate. UPDATE: Lionsgate has pulled the Megalopolis trailer originally included in this post after critics and outlets pointed out that the negative blurbs contained in the trailer could not be sourced from the original reviews and may be fabricated. In a […]