In Tony Zhou’s latest video, the question isn’t how editing is done technically, it’s how it feels. What does it mean to feel an emotion, and how much time does that take to register? Breaking down sequences from Hannah and Her Sisters and The Empire Strikes Back, among others, Zhou dives into the intangibles and instinctual particulars of editorial timing. With interview cameos from, among others, Michael Kahn, Walter Murch and Thelma Schoonmaker.
With films such as Home Sick, Pop Skull and A Horrible Way to Die, and more recently, You’re Next and The Guest, Adam Wingard has established a reputation as one of the most inventive filmmakers working in the horror genre today. Wingard’s latest film, The Woods, tackles the found footage sub-genre and we’re bracing ourselves for maximum scares. Written by Simon Barrett (The Guest, You’re Next), The Woods involves a group of college students on a camping trip who discover they are not alone. The trailer (above) reveals little in terms of plot, but surely succeeds at setting the creepy tone. On Twitter, Wingard boasted that The Woods “is my first full on […]
The title pretty much says it all: is Takashi Miike’s indelibly scarring Audition feminist, misogynistic exploitation or both? The answer in Jessica McGoff’s video essay is a mixture of the two, which isn’t too surprising. Caution: contains both graphic violence and also some brief nudity, either of which might be objectionable in your workplace.
For his debut feature, The Land, Steven Caple Jr. pulled off an impressive feat. He attracted top talent from the music industry, including Nas as executive producer producer and Erykah Badu and Machine Gun Kelly in supporting roles. The Cleveland-set drama, which focuses on four teens living in the projects, premiered earlier this year at The Sundance Film Festival’s Next section. In advance of the film’s premiere at Sundance, the director told Filmmaker Magazine that each of the four boys in the film represents a different aspect of his life. “On surface you see a film about four boys who […]
Auteur Paul Thomas Anderson, for whom Radiohead’s Jonny Greenwood scored his There Will Be Blood, has directed the band’s new video, which has dropped just days after their stop-motion animated clip for debut single Burn the Witch. Check out Dreaming above.
Jacob T. Swinney’s latest video essay examines the many subjective POV shots of Taxi Driver. As Travis sees the world, we see it through him, and the result is a movie that locks us in his head more than most. A little more over here at Fandor.
Author Daniel H. Wilson, whose Roboapocalypse has been in the works for some time from Steven Spielberg, has the first adaptation of one his stories receive its online premiere today over at Wired. Embedded here, The Nostalgist is the adaptation of Wilson’s first published work of fiction, and it’s described thusly: In the futuristic city of Vanille, with properly tuned ImmerSyst Eyes & Ears the world can look and sound like a paradise. But the life of a father and his young son threatens to disintegrate when the father’s device begins to fail. Desperate to avoid facing his traumatic reality, […]
After doing a masterful job of getting the entire internet’s attention by simply deleting their entire social media presence, Radiohead dropped an honest-to-goodness new single and music video this morning. Chris Hopewell, who previously directed “There There” for the band, is behind this stop-motion clip (which bears traces of what appear to be 16mm scratches). In keeping with the song name “Burn the Witch,” the video draws on imagery from The Wicker Man and other manifestations of the “old, weird Britain.”
Hunt for the Wilderpeople, the latest film from Taika Waititi — the New Zealand director who brought us What We Do in the Shadows — premiered earlier this year at the 2016 Sundance Film Festival. The Orchard picked up distribution rights at the festival and plans to release it in the US on June 24. In advance of the release, the coming-of-age adventure comedy gets a new trailer (above). Based on Barry Crump’s book Wild Pork and Watercress and adapted for the screen by Waititi, Hunt for the Wilderpeople tells the story of Ricky (Julian Dennison), an overweight city kid who gets a fresh start with […]
After 11-year-old Toni (newcomer Royalty Hightower) joins a dance group with older girls, the team begins to experience mysterious spasms. It’s a wholly original – if unlikely – premise for a film and, in the case of The Fits, it succeeds as a compelling meditation on coming-of-age. Written and directed by Anna Rose Holmer, one of Filmmaker‘s 25 New Faces of Independent Film, The Fits premiered at the Venice Film Festival and also played Sundance earlier this year. It will hit theaters on June 3rd courtesy of Oscilloscope. Check out the intriguing trailer above.