Dear Gentle Reader, My name is Tommy Minnix, and I am really delighted to be guest blogging for Independent Film Week this year. Thanks to Scott and the folks at IFP for having me. I am participating in No Borders this year with a narrative feature called The Swerve. The script was written and will be directed by Dean Kapsalis, and I’m producing along with veteran indie producer Derrick Tseng. It’s a psychological thriller about a woman whose life spirals out of control when she’s bitten by a mouse. When we got the e-mail in mid-July that we had been […]
Hi! My name is Gillian Robespierre. I’m a writer-director and so thrilled to be attending the 2011 IFP Emerging Narrative project forum with my script Obvious Child. It’s a romantic comedy about a young woman living in Brooklyn who has just had her heart broken, and after a spontaneous one-night stand, finds that she’s pregnant. She decides to get an abortion and move on with her life. Yes, it’s a comedy! Obvious Child was originally a short film I directed and co-wrote with Anna Bean and Karen Maine. After years of watching films that featured unplanned pregnancies ending in childbirth […]
I am Ron Simons, an independent film producer based in NYC. I haven’t been a producer very long, having come into the role not quite by accident but certainly not as a childhood dream either. In fact, if you’d asked me five years to define the role of a film producer I would have been hard pressed to come up with a response that included half of what I presently do. By way of background, I’m an actor by training having spent a few years at University of Washington earning an MFA in acting from the Professional Actor Training Program. Before […]
I will start by saying this: we are very lucky. Just a few weeks ago, we finished a remarkable Kickstarter campaign for my film, Five Nights In Maine. In 30 days, we raised $40,613 from 367 courageous and generous backers. The support from people we have known our whole lives and complete strangers humbled and inspired up. Our community proved that this is a film they want to see and be a part of. Now it’s time to take this energy to Independent Film Week! We are thrilled to be participating in this year’s No Borders International Co-production Market. My […]
Second #893, 14:53 In the early days of silent cinema, text and image coexisted, as intertitles directed viewers how to read a film, literally. In the best of these films, intertitles not only conveyed narrative information, but suggested possibilities of reading that allowed for the viewer to construct her own meaning from the relationship between text and image. In Blue Velvet, the LINCOLN street sign, which functions almost like an insert shot, is its own form of postmodern intertitle. [Christian Metz: “When approaching cinema from the linguistic point of view, it is difficult to avoid shuttling back and forth between […]
Ingrid Veninger’s latest film has to be the fastest movie ever made for TIFF. The Toronto filmmaker was on her way to unspool her 2010 feature, Modra, at film fests across Europe when she seized the opportunity to shoot an entirely new film. That meant 19 days of scripting, casting and rehearsals in Toronto in March this year, 13 days shooting in north England, Paris and Berlin, then wrapping with five weeks of post in T.O. to make the TIFF deadline. That also meant Veninger presenting Modra in one cinema and then becoming “Ruby White,” who was premiering a fictitious […]
The Island President, Jon Shenk’s doc about Maldives President Mohamed Nasheed’s work advocating climate change legislation, has won the Documentary Audience Award at the Toronto International Film Festival. The doc is a spirited, pictorially dazzling story of the charismatic Nasheed’s charmingly quixotic attempt to use the fate of his island nation — ground zero when it comes to impending destruction by rising tides — to alert the world about the dangers of our carbon-producing modern lifestyles. One of the most interesting parts of the doc is Shenk’s behind-the-scenes look at Nasheed in his cabinet meetings and conferences. I interviewed Shenk […]
So Independent Film Week is finally around the corner…coming to you from Halifax, Nova Scotia, Canada within Strategic Partners, the second module of the TAPS program 2011. After a superb week in Berlin, back in June, on module one with the Erich Pommer Institut, expectations are high! I am attending all three modules with our third project, feature fiction adventure Hector & Himself, a Dickensian style contemporary fable, which finds the protagonist, 25-year-old Hector, setting foot outside his attic room for the first time, after dreaming up an imaginary friend, Henry. His deranged mother has kept him drugged and locked […]
The last three months of the last three years have been grueling and gratifying. We started shooting The Light In Her Eyes, about the leader of a women’s Qur’an school in Damascus, Syria,in June 2008. Flash forward to June 2011, and we’re still searching through our forest of footage to find the structure and story that we’re sure is there. And then suddenly in August—it creeps up on us and takes us by surprise—we have a solid rough cut! It feels both miraculous and expected. Now it’s the Friday before IFP’s film week and Laura and I are sitting in […]
The IFP’s Independent Film Week begins today. Centered this year around the new Elinor Bunin Munroe Film Center at Lincoln Center, the event features talks, panels, seminars, screenings and events focused on the art and business of independent film today. You can find some information on the event at the IFP’s site here, and we’ll try to link to some of the live streams as the Film Week goes along. At 4:30 I’ll be doing a “Hot Button” conversation with producers Ted Hope and Mynette Louie that asks, “Is Independent Film a Hobby or a Business.” And throughout the week […]