At Movie City News, Ray Pride asks if it’s narrated by Thomas Pynchon…. Could be…
In preparation for this weekend’s opening of Sophie Barthes‘ philosophical sci-fi dramedy, Cold Souls, go and check out the faux Website for The Soul Storage Company (thanks to Barthes for sending the link). If you don’t know the premise already, the film follows Paul Giamatti (playing Paul Giamatti) who while struggling to tap into the part of Chekhov’s Uncle Vanya decides to have his soul removed by The Soul Storage Company. The site includes an introductory video from Dr. David Flinstein (David Strathairn), a FAQ page, an office tour, a phone number (where “operators are standing by”) and you can […]
In a press release sent out yesterday the fundraising/promotion site, IndieGoGo, and the documentary film site, SnagFilms, announced a partnership where select IndieGoGo works-in-progress are featured on the SnagFilms site. Three works have been on the site since mid-July and according to the release have received over half a million impressions on SnagFilms and promotional partner sites. Those three projects are: Connected, by Tiffany Shlain – Connected takes audiences on a stream-of-consciousness ride through the interconnectedness of humankind. Pelotero, by Jon Paley – A Dominican baseball story. Tapestries of Hope, by Michaelene Christini Risly – Two activists from two corners […]
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Barry Jenkins. Filmmaker: How did you support yourself during the production of your last movie/movies? Jenkins: I had this job at Banana Republic that was more or less essential to getting my last movie done. Was a great job, I was the shipment supervisor at the largest Banana […]
At DIY Days in Philadelphia this weekend I moderated a panel on creative collaboration. Just before heading down I came across this post by filmmaker Zak Forsman on our new message boards entitled “Using Test Screenings to Shape Your Film” and made a note to post it on the blog. Now, Forsman and Sabi partner Kevin Shah, who were both on my panel, have elaborated on the post with an article at The Workbook Project and a video in which they discuss the process of test screening. They have great advice for anyone putting together a feedback screening. One tip […]
For more info on net neutrality, visit Internet for Everyone.
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Jake Mahaffy. Filmmaker: How did you support yourself during the production of your last movie/movies? Mahaffy: I’m an Associate Professor of Art & Film at Wheaton College in Massachusetts so I have a full-time teaching position. Filmmaker: What is good/not good about this kind of job? Mahaffy: It’s […]
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Doug Buck, whose response arrived after we went to press on Robinson’s piece. Filmmaker: How did you support yourself during the production of your last movie/movies? Buck: The same way I have supported myself for the last 20 years — electrical engineering. I specialize in airfield lighting design […]
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Liza Johnson. I work as an art professor, teaching film and video at an undergraduate college. I’ve made a bunch of short films and video art exhibitions during the time I’ve taught there. In important structural ways, the job has been very supportive — you always get summer […]
In “A Filmmaker’s Glamorous Life,” online and in our latest print edition, Esther Robinson surveyed a number of filmmakers about the jobs they’ve taken to support themselves when they are not making films. In this blog series we’ll run the unedited responses we received that were then condensed for the piece. Below: Tze Chun. Filmmaker: How did you support yourself during the production of your last movie/movies? What was good/not good about this kind of job(s)? Chun: I didn’t go to grad school, but was committed to making films. So I opted to do a bunch of short-term work rather […]