Beginning today on the main page, we will be posting stories that ran either in the magazine or online of films nominated for Academy Awards this year. Check in often as we’ll be running pieces all the way up to the big night on Feb. 22. First up is Howard Feinstein‘s piece on Tom McCarthy’s The Visitor, which is nominated for Best Actor (Richard Jenkins).
According to Variety, Lionsgate has taken North American rights to Lee Daniels‘s Sundance Grand Jury Prize winning film Push: Based on the Novel by Sapphire. Film will also get the help of powerhouses Oprah Winfrey and Tyler Perry, who have signed on to help promote the film. A release date was not mentioned in the Variety piece.
Over at Festival Ambassador, check out the photo diary director Jay DiPietro did for us from Sundance where his debut feature, Peter And Vandy, starring Jess Weixler and Jason Ritter, screened in competition.
That’s the message of Heidi Van Lier at her recently posted “Indie Film Q&A” over at Film Independent. She’s right. An excerpt: Last week, in Park City, I watched several talented directors quickly ruin their opportunities right before my eyes. I wanted to use this as a chance to explain something VERY IMPORTANT to the festival process, and indie film as a whole, which is… DON’T BE AN A-HOLE. Sure this is much less important in the studio world, as that is more about who makes the most cash in the end, but in the indie world, where there isn’t […]
The SXSW Film Festival, unspooling in Austin, Texas from March 13 – 21, has just announced its line-up. Without further adieu… NARRATIVE FEATURE COMPETITIONThis year’s 8 films were selected from 737 submissions. Films screening in Narrative Feature Competition are: Artois the GoatDirector: Kyle Bogart. Writer: Cliff and Kyle BogartLab technician Virgil Gurdies embarks on an epic quest to craft the greatest goat cheese the world has ever known and reclaim the heart of his beloved Angie. Cast: Mark Scheibmeir, Sydney Andrews, Stephen Taylor Fry, Dan Braverman (World Premiere) Bomber Director/Writer: Paul CotterA bittersweet comedy about love, family and dropping bombs […]
Congrats to director Barry Jenkins and stars Wyatt Cenac and Tracey Heggins — their film, Medicine for Melancholy, featured on the cover of the new Filmmaker, scored the #1 spot on the Indiewire per-screen average chart this weekend. Writes Peter Knegt, “IFC Films’ one-screen debut of Barry Jenkins’ Medicine For Melancholy narrowly led all per-theater-averages this weekend, according to estimates provided this afternoon by Rentrak. Its $14,700 haul from New York’s IFC Center became the best opening for a 2009 limited release so far, and beat out Laurent Cantet’s The Class in its first week of release outside of December’s […]
I discovered while in Rotterdam that Karina Longworth at Spout tagged me to take part in the Sundance 8 Favorites Meme. So, I’m a bit late with this, but here it goes. First, the rules: 1. We have to post these rules before we give you the facts.2. Players start with listing their Sundance favorites, separated into 8 categories.3. People who are tagged write their own blog post about their 8 favorites and include these rules.4. At the end of your blog, you need to choose 8 people to get tagged and list their names. Don’t forget to leave them […]
From Nikki Finke’s Deadline Hollywood Daily: The Super Bowl, pirated copies circulating on the web, and a lovable mall cop heating up the box office all should have depressed the North American grosses for 20th Century Fox’s thriller Taken opening. But the Liam Neeson-starrer, directed by District B13‘s Pierre Morel, and produced by Luc Besson, tackled those obstacles and turned in a super performance of $9.5 million Friday and $12M Saturday (+30%) from 3,183 theaters. That’s way more than what Hollywood expected the film would make all weekend. Now wait a minute… the film that was released in many non-North […]
Screenwriter and director John August was asked to give a commencement address at a film school, and he has posted the speech, which contains a couple of observations and simple but essential pieces of advice, on his blog. After making the observation that being able to shoot and cut together images for the web is an important skill these days (and thus speaks to the worth of a film school education), he offers another super vital recommendation: And let’s talk about your classmates. You probably have some good friends and some people you kind of hope to never see again. […]
I’ve posted previously on this blog about The Long Tail author Chris Anderson’s recent series of articles (and forthcoming book) on the economics of free. Briefly, Anderson’s proposition is that digital production and delivery, which decreases the marginal cost of goods, drives their purchase price down to zero. For most, this means adapting to the idea of distribution being ad-supported in some way, and this type of revenue scheme is what has dominated Anderson’s previous writings on the subject. But as I noted in a previous post on the Google Book Settlement, the problem with free models for the producer […]