Ari Folman‘s Waltz With Bashir took home four awards including Outstanding Achievement in Direction at last night’s Cinema Eye Honors, which highlight the year’s achievements in non-fiction. Handed out by the event’s creators — filmmaker AJ Schnack and Thom Powers, documentary programmer for the Toronto International Film Festival — at the Times Center in the New York Times building, James Marsh‘s Oscar winning doc Man on Wire was awarded the evening’s big award, Outstanding Achievement in Non-Fiction, along with two other prizes. Yung Chang‘s Up the Yangtze won the Debut Feature award as well as Audience Choice. The full list […]
An additional $350 million for the New York State Film Production Tax Credit program has been found to continue supporting the state’s popular film and TV tax incentives. The funds were announced as part of the budget that was proposed today; however, given that last year the state issued $460 million in film and TV tax incentives and that this new $350 million is capped, it’s clearly a stopgap motion for the program. The lack of long-term visibility means that TV shows in particular will be wary of setting up shop in New York for fear that the program will […]
William Grimes in the New York Times reports that Steven Bach, former U.A. studio executive and author of Final Cut: Dreams and Disaster in the Making of Heaven’s Gate has died of cancer at the age of 70. As an exec he was associated with such films as Annie Hall, Cutter and Bone, and True Confessions, but he is perhaps best remembered for Final Cut. Says critic David Thomson in the Times obit: “It is the best book ever written about the making of a movie. It gives you an understanding of the battles, the egos, and how a film […]
Mark Cuban asks on his blog the question, “Are Tweets Copyrighted?” Wondering whether republishing a tweet violates copyright law, Cuban puts a legal spin on something that I wondered when I joined the service recently. In fact, the first day I was on I tweeted (?) the following: “Wondering: is Twitter quotable outside the Twitterverse? Or is that bad nettiquette?” The response I got was that tweets are public speech and yes, people can quote them. Funnily, this made sense to me even though I do think copyright law generally prevents people from quoting in full. In other words, I […]
At GreenCine Aaron Hillis spies a freelance opportunity for some kind of film critic and relays this ad on Craigslist: Hi, We just finished a film and need to buy a one sentence quote from someone who calls himself a film critic. Thanks. Hillis writes: Now, in my relatively brief tenure as a full-time journalist, I’ve had my share of unprofessional favors asked of me, including one that permanently estranged a years-long camaraderie because I refused to watch a friend-of-a-friend’s movie with the explicit purpose of giving a pullquote for their forthcoming DVD. Yet while I laugh at the above […]
Here’s the third of our guest blogs from Sundance Lab-supported filmmaker Gayle Ferraro, who is blogging from the Skoll World Forum on Social Entrepreneurship. Day 3 No sleeping in after the late night, this is the last day and a short day at the forum so we have to get moving. The morning sessions were again a great offering. I opted for one called “We are the government and we are here to help,” which had a funny ring to it even though I had no real idea what it would be about. At the session, Barry Coleman from Riders […]
Just a quick note to let the filmmakers in our readership know that the IFP Narrative Lab, which I am leading along with Gretchen McGowan, has a deadline of April 17. The lab is a five-day intensive series of workshops, roundtables and presentations for filmmakers whose works are at the rough cut stage and who are seeking guidance about editing and reaching picture lock, sound design, festival strategy, distribution and legal issues, and DIY releasing strategies. It takes place in New York June 8 – 12. A number of past participants have blogged about their experience over at The Workbook […]
I previously blogged Clay Shirkey’s “Newspaper and Thinking the Unthinkable”, which is an essential article about the media business in this time of transition. Via Keeyool.com I just came across this short interview with Shirkey that is also tremendously thought provoking not just for media outlets and companies but for anyone in the content business. Key quotes: “The transition is going to go to the people who have the lowest cost of experimentation for the highest value.” “Digital lowers the cost of failure.” “The heightened ability to experiment means that you have to embrace the idea that instead of reducing […]
Thanks to Jamie Stuart for the heads up about the trailer for After Last Season, which is in the early stages of going viral by virtue of its genuine oddness. Michael Tully at his Indiewire blog writes, “It’s like Todd Haynes lost his mind after Safe and was hired to direct a series of cable access sci-fi infomercials,” while David Lowery writes, “I’ve watched the trailer about ten times now, and have yet to tire of it. It is so beyond logic in its construction that it essentially reinvents itself anew upon each viewing.” In addition to being featured on […]
Here’s the second of our guest blogs from Sundance Lab-supported filmmaker Gayle Ferraro, who is blogging from the Skoll World Forum on Social Entrepreneurship. Day 2 The days keep getting better and I am feeling like I have known my fellow filmmakers and the Sundance folks for a long time. It is funny how that happens before you know it. We filmmakers all have code names, an affectionate shorthand, for the people we have all spoken with — the rat guy, the French guy with the cell phones, the water guys…. For the first part of the day I was […]