Columns
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“You Want It To Be So Familiar That You’re Not Thinking”: Jack Huston, Back To One, Episode 275
Jack Huston has worked with Scorsese, Ridley Scott, David O’ Russell, The Coens, had meaty roles on series like Mayfair Witches, Fargo, and, maybe most notably, Boardwalk Empire, where he played Richard Harrow. His latest project is Lulu Wang’s Amazon series Expats. On this episode he talks about gaining 30 pounds for that part (which wasn’t as much fun as it sounds), why it all starts with the voice for him, writing and directing his passion project The Day of The Fight for Michael Pitt and Joe Pesci, and he reveals a common trait of all great directors he’s known. […]
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“I’ve Never Had a Director Give Me a GIF as a Reference Before”: DP Cristina Dunlap on American Fiction
Music videos have been good to Cristina Dunlap. As a photography-obsessed high schooler, a chance meeting landed the L.A. native a gig shooting stills on a music video. It happened to be for Death Cab for Cutie, leading to a run of jobs with influential directors like Hiro Murai and Ace Norton. After working her way up to the role of cinematographer, a Coldplay video collaboration with Dakota Johnson led to Dunlap shooting a pair of features starring the actress, Am I OK? and Cha Cha Real Smooth, both of which premiered at the 2022 Sundance Film Festival. A music […]
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“David Initially Said, ‘What if We Do the Whole Movie Handheld?'”: DP Erik Messerschmidt on The Killer
The Killer begins with an assassin (Michael Fassbender) in a half-completed WeWork office awaiting the arrival of his latest target. As he waits, he details his vocational mantras for the audience in voiceover: stick to the plan. Don’t improvise. Never yield an advantage. Forbid empathy. Fassbender proceeds to miss his shot and spends the rest of the film breaking each and every one of those tenets in the chaotic aftermath. Many of the pieces written about the film have pointed out perceived similarities between the film’s methodical, detail-oriented titular character and the perfectionist reputation of its director, David Fincher. However, […]
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Filmmaker‘s 20 Most Read Articles of 2023
My annual exercise in what our audience — as well as our “audiences,” the latter term used to refer to the concoction of first and possibly last-time readers driven to our site by algorithmic determinism and SEO “best practices” — is always a mixture of the predictable and the unexpected. Regular features like our 25 New Faces series and Vadim Rizov’s survey of 35mm production always show up, as do articles by our excellent columnist Matt Mulcahey and podcaster Peter Rinaldi. I was particularly happy to see this year on the list two pieces that were especially deeply researched and […]
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“I Just Wanna Play the Good Guy, But Not the Boring Good Guy:” Spenser Granese, Back To One, Episode 274
You know Spenser Granese from memorable roles on Better Call Saul, Fear of the Walking Dead, Pam & Tommy, and, perhaps most memorably, the character of Bevel in the final season of Barry. On this episode, he talks about landing that role after trying hard to get on the show for three seasons and the incredible working environment he found on set. He opens up about his unique approach to the craft having no formal training, why he keeps the lines barely memorized, avoids expectations, operates on his instinct, and much more! Back To One can be found wherever you […]
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“If I Had Been Working in the 1970s [But With Today’s Technology], I Would Have Used Digital, I Would Have Used LED Technology”: The Holdovers Cinematographer Eigil Bryld
In The Holdovers, a professor, a student and a grief-stricken cook are stranded together at a New England boarding school over the holidays. The story takes place in the early 1970s, an era whose films are beloved by both Holdovers director Alexander Payne and cinematographer Eigil Bryld. However, they took opposing philosophical perspectives in imbuing their movie with the spirit of that epoch. Though he looked at the work of Hal Ashby for inspiration – particularly The Landlord and The Last Detail – rather than attempt to replicate it, Payne’s approach found him imaging what kind of film he himself […]
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“It’s a Gift When People Share with Me their Stories”: Michelle Monaghan, Back To One, Episode 273
Discovering Michelle Monaghan in Kiss Kiss Bang Bang was like finding evidence that the old-school Hollywood comedy actress gene, long thought extinct, was alive and well. She did more than hold her own opposite Robert Downey Jr. and Val Kilmer — she stole the movie. I’ve been rooting for her ever since. A few Mission Impossibles, Gone Baby Gone, True Detective followed, as well as some significant work in small indies like Trucker, Fort Bliss, and Nanny. She returns to comedy with her latest, The Family Plan, which is streaming now on Apple TV+. On this episode, she talks about […]
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“I Was Like a Pig in Mud Making Golden Vanity.” Melora Hardin, Back To One, Episode 272
Melora Hardin is best known for playing Jan on the American version of The Office. She was nominated for an Emmy for her work on the series Transparent. Recently she stepped back into the role of Trudy Monk for Mr. Monk’s Last Case: A Monk Movie, which is streaming now on Peacock. On this episode she talks about bringing the character Mabel Montgomery-Mayflower to life in the new independent film Golden Vanity, and how the perfect combination of director’s vision and true collaboration helped her deliver that tour-de-force performance. She takes us back to her early days as a child […]
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“Part of Being an Actor is Living All the Time with a Certain Sensitivity”: Robbie Tann, Back To One, Episode 271
You might know Robbie Tann from Preacher, The Deuce, or when he played Billy on Mare of Easttown, or Whitty in the “Mazey Day” episode of the latest season of Black Mirror. Currently he plays Shipley in this year’s most exciting and original sci-fi film, The Creator. On this episode, he tells how the run-and-gun style of shooting on that production, combined with the cast and crew’s infectious passion for the project, helped with all aspects of his work. He explains why he now bypasses a straightforward “roadmap” of preparation, focusing instead on letting the role seep into his unconscious. […]
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“You Can’t Get to the Transcendent Stuff Without Risking That It All Might Go Off the Rails”: Olli Haaskivi, Back To One, Episode 270
You know Olli Haaskivi from his work in series such as Winning Time, Manifest, and The Sinner, and films like Motherless Brooklyn, Nancy and of course, this Summer’s blockbuster Oppenheimer, where he played scientist Edward Condon. On this episode he shares his experience of working with Christopher Nolan on that film (which he says seemed less sprawling than some student films he’s worked on!), why he felt the freedom to bring his ideas and “all of himself” (spoiler: Nolan is not afraid of actors!), and how all this affected the work in the moment. Plus he talks about his “this […]
