Columns
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“It’s Hard to Survive if You Don’t Also Have Your Entrepreneur Hat On”: Brit Marling, Back To One, Ep. 269
Brit Marling is an inspiration. The talented multi-hypenate became an indie darling in 2011 with Another Earth and Sound of My Voice—collaborations with Mike Cahill and Zal Batmanglij respectively. She avoided various vapid roles and unfulfilling career paths and instead went on to star in (and co-create with Batmanglii) the hit Netflix series The OA, which was bafflingly cancelled after two seasons, despite a rabid and large fan base. The two are back with another series, FX’s A Murder At The End of The World—a cool Zoomer detective whodunit set in a remote super-hotel in Iceland. On this episode, she […]
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How to Make Nickelodeon Slime Look Like Oil: Special Effects Coordinator Brandon K. McLaughlin on Killers of the Flower Moon
Brandon K. McLaughlin remembers the exact moment he knew he wanted to work in the movie business. It was Halloween night and McLaughlin was eight years old. His uncle—a special effects technician—had invited him to set to watch the Disney adventure The Rocketeer being made. “I got to see them blow up the zeppelin while the Rocketeer was running on top of it,” McLaughlin said. “From that point on, I never wanted to do anything else. I was fascinated with everything that went into the magic of moviemaking, and the special effects department creates that magic, tricking the audience into […]
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Back to One: “It’s Not About You,” The Sixth Annual Kevin Corrigan Episode
The SAG strike is over and Back To One returns in the most fitting way—with The Sixth Annual Kevin Corrigan Episode. The living patron saint of the indie actor fills us in on what’s been going on in his world over the past year, talks about playing off of Tim Blake Nelson in his latest film Bang Bang, takes us way back to his first time on a film set as an extra in 1987, describes a recent rewarding experience of performing his own ultra personal material, and ponders his strange case of involuntary lens spiking. Plus stories about “manhandling” […]
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“It’s Never Fun to Do Nude Work”: DP Eigil Bryld on No Hard Feelings
Eigil Bryld must be feeling funny lately. After a career peppered with reality-based dramas (You Don’t Know Jack and The Report), thrillers (Deep Water) and romantic period pieces (Tulip Fever and Becoming Jane), the Danish cinematographer has lightened up with a trio of comedies out this year—The Machine, Alexander Payne’s The Holdovers and No Hard Feelings. In the latter, Jennifer Lawrence plays a Montauk Uber driver who agrees to seduce the son (Andrew Barth Feldman) of a wealthy couple summering in the quaint Long Island enclave in exchange for a used Buick Regal. Bryld spoke to Filmmaker about lensing the […]
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The Focus Pulling Olympics: DP Oren Soffer on The Creator
On big budget spectacles, the tail of VFX often wags the dog of principal photography. With The Creator—an $80 million sci-fi epic about a war between mankind and humanoid AI starring John David Washington—director Gareth Edwards sought to reverse that arrangement. The Monsters and Rogue One filmmaker has described the process of meticulously recreating previs on set as painting a target on the wall and trying to fire an arrow into the bullseye. With The Creator, Edwards wanted to fire the arrow first, then paint the target around it, with VFX ideation occurring later in the pipeline after being inspired by […]
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“It’s a Braver and More Worthy Cause, At Least for Me, Than Me Being a Soldier or Politician”: Al Warren (Back To One, Episode 267)
Dogleg is one of the best films of the year. A unique and hilarious feat of cinematic inventiveness, it follows amateur director Alan, played by Al Warren, after he loses his fiancé’s dog at a gender reveal party on the day of an important shoot. Warren also wrote and directed the film, which took more than half a decade to finish. On this episode, he tells us why he was in no hurry to complete the film, and why he has taken a much more intentional and meaningful approach toward bringing it to the audience. He takes us back to […]
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Aidan Gillen is Still “Fishing From The Ether”: Back To One, Episode 266
Aidan Gillen returns to the podcast (first time: Episode 40). You know him from some of the most beloved shows of the century: Game of Thrones, The Wire, Peaky Blinders, to name a few. Now he stars in the Irish neo-noir film Barber, where he plays a private investigator hired by a wealthy widow to find her missing granddaughter. He talks about why he doesn’t look at the lines until the day before shooting, how his latest venture on the stage affected his work, why he still doesn’t like rehearsal for film, what bothers him about an “actor-centric” production, and […]
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“Each Episode is Like Its Own Movie”: DP Benji Bakshi on Star Trek: Strange New Worlds
In December of 1964, principal photography finished on the pilot of Star Trek, featuring captain Christopher Pike (played by The Searchers’ Jeffrey Hunter) as the commander of the Enterprise. When the show’s first episode finally aired almost two years later, Pike was nowhere to be found. The initial pilot had been scrapped and re-shot, with William Shatner’s James T. Kirk taking the helm and a different crew boldly going where no man had gone before. However, that wasn’t the end of Christopher Pike. The character returned as a Kirk mentor in the J.J. Abrams-directed reboot films. Now, with the Paramount […]
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“If We’re All Gonna Die…Then Why Wouldn’t You Take a Risk as an Artist?” Onur Tukel (Back To One, Episode 265)
Onur Tukel is a boldly independent writer-director-actor who, for more than a decade, has been making cutting edge comedies in New York City that sometimes land in the horror category, sometimes social satire, are often absurd, mostly hilarious and always thoughtful—Catfight, Applesauce, Summer of Blood, The Misogynists, Scenes From An Empty Church, to name just a few. His latest, Poundcake, about a serial killer who only targets straight white men, is maybe his boldest yet, which says a lot. In this hour, he talks about his reluctant approach toward acting in his own films, the ways he has navigated low […]
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“You Are Enough”: Ron Cehpas Jones on Back To One (Expanded Re-Release)
The great actor of the stage and screen, Ron Cephas Jones died on August 19, 2023, at the age of 66. On this episode from 2020, he details the value of a true collaborative relationship with the director, why the script never leaves his side in preproduction, talks about what it was like to slowly build “William” on This Is Us through many seasons of that show, and takes us back to his early days at LAByrinth theater in New York City to explain how Philip Seymour Hoffman forever changed his approach to work, plus much more! This is an expanded version […]
