Columns
Featured 1/4
“Don’t Wait for Permission” Gazer star Ariella Mastroianni, Back To One, Episode 334
Ariella Mastroianni is an actor from New Jersey by way of Ontario, Canada. With director Ryan J. Sloan, she co-wrote and co-produced Gazer, which she also stars in. The film, which the duo shot on weekends over the course of… Read more
-
Considerations: Some Final Predictions
-
“1.66 Just Felt Good”: DP Jarin Blaschke on Nosferatu
Over the course of his four feature films, Robert Eggers has gained a reputation as a filmmaker obsessed with meticulous period accuracy. After listening to Jarin Blaschke talk about moon size as a mathematical equation, it’s easy to see why Eggers has enjoyed working with the equally meticulous cinematographer for almost two decades. “I’m kind of a stickler about how big a moon is when a CG moon is in frame,” said Blaschke. “It needs to be 1/80th the width of the screen, because the moon is a half a degree wide and our lens takes in 40 degrees. So, […]
-
“I Want Everyone to be Jarred by It…Especially the Men on Set”: Lucy Boynton, Back To One, Episode 330
Lucy Boynton is known for delivering exceptional performances in films like Sing Street, Bohemian Rhapsody, Chevalier, and The Greatest Hits. Her latest is the BritBox’s limited series A Cruel Love: The Ruth Ellis Story, about a woman convicted of killing her abusive lover who then became the last woman to be hanged in the UK. On this episode, she talks about why the challenge she faced portraying Ellis “wasn’t an actor issue,” but more about facing the traumas women are still dealing with decades later. She ponders how acting as a child served her into adulthood, explains why over-direction is […]
-
Considerations: Anora, Acting Frontrunners and Other Post-Weekend Fallout
Every Tuesday Tyler Coates publishes his new Filmmaker newsletter, Considerations, devoted to the awards race. To receive it early and in your in-box, subscribe here. While this Sunday was the Super Bowl (and, because I’m always rooting for Bradley Cooper, I’m thrilled the Eagles won), Saturday was just as important for the awards race. If you had asked me on Saturday what would win best picture—and many people hounded me for an answer—my reply would have been: “I don’t know!!!” Hours before both the Directors Guild Awards and the Producers Guild Awards, NEON hosted a toast to Anoraand Sean Baker […]
-
“It Doesn’t Have to Always Cost $200 Million”: DP Lol Crawley on Shooting The Brutalist (Mostly) in VistaVision
-
“I’m Really Good at Getting a Laugh Out of Terrible Circumstances”: Griffin Dunne, Back To One, Episode 329
Griffin Dunne has balanced acting, directing, and producing for over 40 years in this business. Chilly Scenes of Winter, An American Werewolf in London, After Hours, Practical Magic, This is Us, to name just a small handful of his credits. For his latest, Ex-Husbands, he delivers a performance revelatory in its ease, miraculously blending lightness and dread. It’s so much fun, and even inspirational, to simply watch him walk around as this character, carrying this load. Hopefully, this is the start of a new chapter: Dunne as the contemplative man of a certain age who has seen it all. On […]
